다큐멘터리영화의 관객소통 방식 연구

• 영문명: A Study of Communication Method of Documentary Films: Centering on Old Partner, Our School, and Repatriation
• 발행기관: 한국영화학회
• 저자명: 민경원 채희주
• 간행물 정보: 『영화연구』제50호, 279~309쪽, 전체 31쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2011.12.31

영문 초록

Audiences are recently growing interested in documentary films. Although Old Partner(2008) involves a non-commercial subject matter and has the limitations of a documentary genre, it attracted a large audience of 292 million and 9,704 people, fueling a great syndrome. Not only this work, but also Our School(2006) and Repatriation(2003) documentaries are famous for their fueling of sustained favorable response. These documentary films overcame the limitations of independent films, and tried to communicate with the audience in the general commercial film market structure. South Korea’s film industry focused on commercial films has a monopolistic pattern, and vertical and horizontal structure. Low-budget independent films or documentaries have minimal presence in the film industry. To communicate with greater audiences, new methods should be devised and greater opportunities should be given for documentary films to be shown. In this sense, Old Partner, Our School and Repatriation executed new strategies to better communicate with the audience, and succeeded in promoting themselves, thereby opening a new horizon not only for documentaries but also for low-budget independent films. In the case of Old Partner, Our School and Repatriation, not only their screening but also their contents are very meaningful. These works show the diverse spectrums of Korea’s modern history, and try to communicate the message of living as “us”in South Korea to the audience. Like these three works, many documents that will be produced, distributed and screened should provide opportunities to communicate with the audience. This paper examines the production of documentary films centering on Old Partner, Our School and Repatriation, as well as the method of their communication with the audience.

목차

1. 서론

2. 한국 다큐멘터리의 산업적 특성

3. 한국 다큐멘터리의 관객 소통 방법

4. 한국 다큐멘터리의 관객 소통 콘텐츠

5. 결론

키워드

Old Partner Our School Repatriation documentaries communication with the audience distribution and contents