윤동주와 하기와라 사쿠타로의 비교문학적 작품연구 - 저항의 프레임을 넘어서

• 영문명: A Study on the Comparative Literary Works of Dongju Yoon and Sakutaro Hagiwara : Beyond the Frame of Resistance
• 발행기관: 일본어문학회
• 저자명: 김미자(Mi-Ja Kim)
• 간행물 정보: 『일본어문학』第106輯, 273~296쪽, 전체 24쪽
• 주제분류: 어문학 > 일본어와문학
• 파일형태: PDF
• 발행일자: 2024.08.31

국문 초록

Comparative studies on the influence of Yoon Dongju, Nakahara Chuya, and Tachihara Michizo have already been conducted to some extent in the past. This paper compares and analyzes the works of Sakutaro Hagiwara and Yoon, both of whom belong to the same school. This paper focuses on Yoon’s Cross, Flowing Street, and Morning of the Beginning and Hagiwara’s Spring Night, Walking in the Center of the Crowd, and Enchanted Graveyard, presenting the first comparative study of the influence of these two artists. In Yoon’s works, there are many expressions that seem to be partly related to their poetic temperament, such as negation (~でもない) and simile (~ような). In addition, there are also works that seem to be influenced by the whole images, phrases, motifs, and even episodes, i.e., pastiche. Although Yoon is often called a resistance poet, we can see that he was a writer who constantly tried new things in terms of poetic techniques. In addition, unlike the simple listing of “~like, similarly (~ような)” in the works of poets such as Kim Young-rang, Major Han, Hagiwara, Fukushi Kojiro, and Ote Takuji, Yoon’s works are “made” with differentiated creative techniques through intentional line breaks and expansion of units, which is thought to be one aspect of the complex process of Yoon’s work formation. These findings will lay the groundwork for the expansion and new interpretations of Yoon’s oeuvre.

영문 초록

尹東柱と中原中也、立原道造の影響関係についての比較研究の成果はある程度得られている。本論文では、同じ四季派の作家である萩原朔太郎と尹東柱の作品を比較·分析した。尹東柱の「十字架」、「流れる街」、「太初の朝」と萩原朔太郎の「春夜」、「群集の中を求めて歩く」、「艶めかしい墓場」を中心に検討したが、これは両作家の影響関係についての最初の比較研究である。尹東柱の作品では、部分的に詩的気質が似ていると思われる表現法、例えば否定表現(~でもない文体)と直喩法(~のような文体)が多数見られる。また、全体のイメージ、句、モチーフ、エピソードまで影響関係と思われる、つまり、パスティシ技法を用いた作品もあった。一般的に尹東柱は抵抗詩人と呼ばれるが、詩的技法面では常に新しいことを試みた、作家精神の持ち主であることが確認できた。また、キム·ヨンラン、チュ·ヨハン、萩原朔太郎、福士幸次郎、大手拓次のような詩人たちの作品に現れる「〜のように、〜のような」の単純な列挙とは異なり、尹東柱の作品では、意図的な行替えと単位を拡張して差別的な創造的な技法が「構成している」。これは複雑に構成された尹東柱の作品形成過程の一断面だと思われる。このような発見は、尹東柱の作品世界の拡張と新しい解釈の土台を築くことになるだろう。

목차

1. 들어가며

2. 직유법과 그 행(行)갈음 - ｢십자가｣와 ｢봄날밤(春夜)｣

3. 도쿄(東京)를 바라보는 두 가지 시선 - ｢흐르는 거리｣와｢군중 속을 찾아 걷다(群集の中を求めて歩く)｣

4. 반복 부정과 확장 - ｢태초의 아침｣과 ｢요염한 묘지(艶めかしい墓場)｣

5. 나가며

참고문헌

키워드

윤동주 하기와라 사쿠타로 패스티시 영향관계 행갈음 Yoon Dong-ju Sakutaro Hagiwara Pastish Influence Relationship Line Replacement 尹東柱 萩原朔太郎 パスティシ 影響関係 行替え