시나리오에서 메인 캐릭터의 구축 원리

• 영문명: Principles for Constructing Main Character in Script: In the center of ‘Charles Foster Kane’ in 《Citizen Kane》
• 발행기관: 한국영화학회
• 저자명: 이정국
• 간행물 정보: 『영화연구』제57호, 291~322쪽, 전체 32쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2013.09.30

영문 초록

Through this thesis I intended to study about constructing principle of main character in screenplay. As a result, I made clear 11 elements:Desire, Antagonist and Supporter, Obstacle, Past, concrete episode, Irony,Motif, Dialogue and Aphorism, Sense of humor, Habit and outward appearance, variation and consistency. For example, I explained it by (directed by Orson Welles) as main text how them operate practically. Add to that, I cited another classic movies as sample. I don’t think that those elements can be applied to all films absolutely. But when we write script, it can be applied generally. Above all, I think that the most important principle is ‘desire’. What the main character do and how does his target achieve comes from it. In the film not script, main principle for making strong and attractive character can be summarized three elements: scriptwriting, acting, directing. ‘Citizen Kane’ I mentioned as central example was applied perfectly those three elements in the film.

목차

1. 머리글

2. 시나리오에서 캐릭터 구축의 기본 요건

3. <시민 케인>의 주인공 ‘찰스 포스터 케인’의 배경

4. 시나리오에서 메인 캐릭터의 구축원리

5. 마무리하며

키워드

Main character Desire Antagonist and Supporter Obstacle Past concrete episode Irony Citizen Kane Orson Welles