일본 리얼 로봇 애니메이션에 나타난 정치적 선악구도

• 영문명: Political Moral Issues Presented in Japanese Real Robot Animation: Based on Arendt’s Perspective on Conflictive World Awareness in Mobile Suit Gundam
• 발행기관: 한국영화학회
• 저자명: 안숭범
• 간행물 정보: 『영화연구』제57호, 203~230쪽, 전체 28쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2013.09.30

영문 초록

The following manuscript is about the first ‘Gundam’ TV series which was created in 1979. The series maintained a consistent industrial impact in Japanese real robot animation history. Out of all the ‘Gundam’ series,the first version of the TV series will be analyzed. Until now the ‘Gundam’ series has had a consistent outlook of the world as well as a flowing narrative, and on one hand, absorbed various recipients of the new generation. This writing analyzes the features of the political moral composition which is central in the unique storytelling built through the initial TV series (Mobile suit Gundam) enclosed in the expansion of fandom literature. In this story, the characters displayed relate to the problems of world awareness and descriptively deliver problems about the formation of the world. Especially when analyzing the circumstances and positions of the characters, the multi-aspects of the ‘evil’ characters’personality stirs the moral code of Hannah Arendt’s philosophy. Amongst all of the Gundam series, this research relates to the foundation of poems and literature of First Gundam which corresponds to limitedly relevant to generative violence research. Henceforth the later Gundam series as well, shows a ripple effect on the killer contents of individual animation contents in which the progress of works on precise storytelling analysis will be anticipated.

목차

1. 들어가면서

2. 한나 아렌트의 ‘근본적 악’과 ‘평범한 악’

3. 불명료한 선악의 기원: 삶의 ‘잉여성’과 ‘뿌리 상실’

4. 다원성의 파괴 이후: 차악과 차선 사이에서의 투쟁

5. 나가면서: 포괄적 제언

키워드

Mobile Suit Gundam storytelling Hannah Arendt the radical evil the banality of evil fandom public sphere