오페라와 연극에서의 발성과 감정표현의 비교를 통한 무대예술의 장르적 특징 연구 - 셰익스피어의 <한여름밤의 꿈>을 중심으로

• 영문명: A Study on the Genre Characteristics of Stage Art through Comparison of Vocalization and Emotional Expression in Opera and Drama : Focusing on Shakespeare's A Midsummer Night's Dream
• 발행기관: 문화융복합학회
• 저자명: 양라윤(Rayun Yang)
• 간행물 정보: 『문화융복합』제6권 제1호, 67~79쪽, 전체 13쪽
• 주제분류: 사회과학 > 사회학
• 파일형태: PDF
• 발행일자: 2025.06.30

국문 초록

This study examines the differences between opera and theater in terms of vocalization and emotional expression, using Shakespeare’s A Midsummer Night’s Dream as a common textual basis. While previous studies have separately analyzed vocal techniques within opera or the acoustic characteristics of emotions in theater, few have conducted a comparative study under identical narrative conditions. Therefore, this research aims to identify the structural and functional distinctions between the two genres by comparing how the same scene and lines are realized in opera and theater. The study employs acoustic analysis and performance aesthetics, focusing on the “confusion of love” scene in Act III, Scene 2. Using criteria such as pitch, rhythm, breathing points, and emotional dynamics, the study examines how opera structurally reconstructs emotions through fixed musical elements, while theater generates emotions spontaneously through variations in intonation, tempo, and pauses. The findings reveal that opera is a structural art form that 'composes' emotions and narratives through meticulously designed musical language, requiring singers to reproduce emotions within the constraints of score-based settings. In contrast, theater allows actors to create and modulate emotions freely, based on psychological interpretation and immediate expression. This study contributes to the field by providing empirical evidence of the fundamentally different emotional transmission mechanisms in opera and theater. Furthermore, it offers a theoretical foundation for developing integrated training models in vocalization and emotional expression, particularly applicable to contemporary performing arts education such as musical theater.

목차

Ⅰ. 서론

Ⅱ. 연구 방법론

Ⅲ. 연극에서의 발성과 감성표현 구조

Ⅳ. 오페라에서의 발성과 감정표현 구조

Ⅴ. <한여름 밤의 꿈>의 분석: 장면 비교

Ⅵ. 장르적 표현 방식의 본질적 차이

Ⅶ. 무대예술로서 오페라의 특징

Ⅷ. 결론

참고문헌

키워드

오페라 발성 연극 감정표현 비교 공연예술 한여름 밤의 꿈 구조적 감정 vs 즉흥적 감정 opera vocalization theater emotional expression comparative performing arts a midsummer night’s dream structural vs. spontaneous emotion