학술논문
예이츠의 「젊었을 때와 늙었을 때의 한 여성」에서의 여성의 성
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- 영문명
- Feminine Sexuality in Yeats’s “A Woman Young and Old”
- 발행기관
- 한국예이츠학회
- 저자명
- 황양미(Yang Mi Hwang)
- 간행물 정보
- 『한국 예이츠 저널』26권, 261~286쪽, 전체 26쪽
- 주제분류
- 인문학 > 언어학
- 파일형태
- 발행일자
- 2006.12.30
5,920원
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국문 초록
This article explores Yeats's “A Woman Young and Old.” All the poems in the series “A Woman Young and Old” were written between 1926 and 1929. During this time Yeats was lamenting the vulgarity of hegemonic Irish culture. This series poems described feminine sexuality in the social and cultural repression of women. The sequence of eleven poems deal with the problems of female body and desire in a repressive society. In these poems Yeats insisted on the beauty or importance of feminine sexuality and sexual desire. “A Woman Young and Old” takes up Yeats's metaphysical questions - eternal beauty, the relationship between body and soul, the interdependence of sexual love and spiritual hate. Feminine sexuality is the mark of the rebellion against conventional social and cultural frame. Yeats's female personae embody a sacred sexuality and Yeats's sexual frankness close to a sexual mysticism. Feminine sexuality and desiring female bodies are defiantly asserted, and asserted specifically as transgressions, because they are precisely what is forbidden. In this series poems the female body and desire is expressed in Yeats's criticism of the repressive sexual morality and culture of the Irish society, especially the Catholic Church. Linking of feminine sexuality and the sacred indicates Yeats's critique of Catholic Irishness. The speakers of the female sequence are embattled with a social and symbolic order that seeks to confine them. Yeats described sexual freedom and defiance against the authority and opposition in patriarchal society. Yeats's increasingly explicit emphasis on feminine sexuality and sexual desire at that time. Whereas Irish Catholicism viewed the desires of the body as threats to the soul, for Yeats the two were interdependent. Yeats insisted that “the love of man and woman, and inseparable physical desire, are sacred”(UPII, 451). This article tries to show how Yeats's of awareness of feminine sexuality is linked with a sexual mysticism and the sacred. Yeats connected women's body and desire with a sexual mysticism and the sacred in such a bold and defiant way.
영문 초록
목차
키워드
해당간행물 수록 논문
- 예이츠의 「젊었을 때와 늙었을 때의 한 여성」에서의 여성의 성
- 거시사와 가족사의 간격: 존 몬타그의 시세계
- 『한국예이츠저널』 수록논문의 국내문헌 인용 고찰
- Deconstruction and Decreation: Yeats, Stevens, and Picasso as Poet and Artist
- W. B. Yeats’s View of Good and Evil
- 소용돌이(“The Gyres”): 새로운 출발
- 『역사 밖에서』(Outside History)와 이반 볼랜드(Eavan Boland)의 몸의 시학
- Co-existence of eco-feminism and patriarchism in W.B. Yeats’s and Seamus Heaney’s poems
- 글쓰기 주체와 인식적 지도 그리기
- 늙음, 욕망, 그리고 상상력 - “탑”의 세 작품을 중심으로
- 예이츠와 보르헤스의 상호 텍스트성: 그 연접과 이접
- [Book Review] James Pethica, Yeats’s Poetry, Drama, and Prose. A Norton Critical Edition
- The Reinscription of Home, Gender and Nationalism in Anne Devlin’s Ourselves Alone
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