학술논문
소용돌이(“The Gyres”): 새로운 출발
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- 영문명
- The Gyres: A New Beginning
- 발행기관
- 한국예이츠학회
- 저자명
- 우철환(Cheol Hwan Woo)
- 간행물 정보
- 『한국 예이츠 저널』26권, 63~77쪽, 전체 15쪽
- 주제분류
- 인문학 > 언어학
- 파일형태
- 발행일자
- 2006.12.30
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국문 초록
In 1938 Yeats had his New Poems (starting with “The Gyres” and ending with “Are You Content?”) published by Cuala Press. These poems were, however, mixed up with the real last poems written between January 1938 and January 1939 under the heading of Last Poems and Plays published in 1940 to be incorporated in the Collected Poems of W.B.Yeats. This editorial work turned out to be ill-advised and unfortunate: Yeats's intention to make a new beginning with New Poems was, in fact, obscured. It is quite natural that one should consider “The Gyres,” the first poem of New Poems suggestive of what the new start was and what change in his attitude of mind toward life stimulated Yeats to do that. Yeats systematized what he had learned from his long involvement in various mystical activities in his own way in A Vision. He probably wished his statements in the book about man, and history would be proved on the empirical level so that he might make confident poetic statements of them. At this juncture he certainly experienced a kind of epiphany: he probably attained to visionary insight that man, history and things are nothing but phenomena in flux. From this insight he gained two things: one was, as he said, nonchalance, that is, a detached attitude to life and things, the other was confidence in himself when making poetic statements out of anything. These two made his new beginning possible. They are summed up in the expressions, “The Gyres! the Gyres!”, “what matter?”, “tragic joy,” and “Rejoice.”
영문 초록
목차
해당간행물 수록 논문
- 예이츠의 「젊었을 때와 늙었을 때의 한 여성」에서의 여성의 성
- 거시사와 가족사의 간격: 존 몬타그의 시세계
- 『한국예이츠저널』 수록논문의 국내문헌 인용 고찰
- Deconstruction and Decreation: Yeats, Stevens, and Picasso as Poet and Artist
- W. B. Yeats’s View of Good and Evil
- 소용돌이(“The Gyres”): 새로운 출발
- 『역사 밖에서』(Outside History)와 이반 볼랜드(Eavan Boland)의 몸의 시학
- Co-existence of eco-feminism and patriarchism in W.B. Yeats’s and Seamus Heaney’s poems
- 글쓰기 주체와 인식적 지도 그리기
- 늙음, 욕망, 그리고 상상력 - “탑”의 세 작품을 중심으로
- 예이츠와 보르헤스의 상호 텍스트성: 그 연접과 이접
- [Book Review] James Pethica, Yeats’s Poetry, Drama, and Prose. A Norton Critical Edition
- The Reinscription of Home, Gender and Nationalism in Anne Devlin’s Ourselves Alone
참고문헌
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