학술논문
『역사 밖에서』(Outside History)와 이반 볼랜드(Eavan Boland)의 몸의 시학
이용수 3
- 영문명
- Eavan Boland’s Poetics of Body in Outside History
- 발행기관
- 한국예이츠학회
- 저자명
- 한지희(Jihee Han)
- 간행물 정보
- 『한국 예이츠 저널』26권, 217~244쪽, 전체 28쪽
- 주제분류
- 인문학 > 언어학
- 파일형태
- 발행일자
- 2006.12.30
6,160원
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국문 초록
Irish contemporary poet Eavan Boland mounts the starting point of her poetry to a very practical issue of how to imagine women's lives inside Irish history. Given E. H. Carr's modern notion of the 'historiography' of history, history that used to record the progress in the public sphere can be regarded as masculine. And in such masculine history women, who have often been associated with Nature due to their biological function, have never been imagined as active contributors to historical progress. Likewise, Irish women's domestic experiences have been discarded as worthless while Irish men's public experiences have been integrated to the progress of Irish history. Troubled by the fact that Irish women's lived experiences have been silenced in Irish history, Boland has been exploring the possibility of eroticizing such masculine history and creating a livable space for real-life Irish women in her poetry. Therefore in this essay I'll look into Outside History (1990) among her many books of poems published since 1962. Outside History, which comprises of three parts, is especially significant in her poetic career because in it Boland's individual and communal concerns as a woman and woman poet are intricately woven and expanded to the issue of the historiography of Irish history. Specifically, I will examine how Boland engages in a very creative project of diving into Irish history and emerging with a body of lived experiences of women that have been silenced and treated as non-existence. I will also illuminate the fact that Boland's erotics of history suggests a new alternative way of writing political poetry in Ireland. Ultimately, I aim to show that Boland, not by romanticizing past women in a new myth and legend but by etching out an original poetic space, has successively swerved from the formidable influence of W. B. Yeats and become a representative poet of her own.
영문 초록
목차
I. 서론
II. 목적에 대한 수업 (Object Lessons)
III. 역사 밖에서(Outside History) 역사 속으로
IV. 거리 두기(Distance)
V. 결론
키워드
해당간행물 수록 논문
- 예이츠의 「젊었을 때와 늙었을 때의 한 여성」에서의 여성의 성
- 거시사와 가족사의 간격: 존 몬타그의 시세계
- 『한국예이츠저널』 수록논문의 국내문헌 인용 고찰
- Deconstruction and Decreation: Yeats, Stevens, and Picasso as Poet and Artist
- W. B. Yeats’s View of Good and Evil
- 소용돌이(“The Gyres”): 새로운 출발
- 『역사 밖에서』(Outside History)와 이반 볼랜드(Eavan Boland)의 몸의 시학
- Co-existence of eco-feminism and patriarchism in W.B. Yeats’s and Seamus Heaney’s poems
- 글쓰기 주체와 인식적 지도 그리기
- 늙음, 욕망, 그리고 상상력 - “탑”의 세 작품을 중심으로
- 예이츠와 보르헤스의 상호 텍스트성: 그 연접과 이접
- [Book Review] James Pethica, Yeats’s Poetry, Drama, and Prose. A Norton Critical Edition
- The Reinscription of Home, Gender and Nationalism in Anne Devlin’s Ourselves Alone
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