학술논문
The Reinscription of Home, Gender and Nationalism in Anne Devlin’s Ourselves Alone
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- 영문명
- 발행기관
- 한국예이츠학회
- 저자명
- 문혜원(Hyeweon Moon)
- 간행물 정보
- 『한국 예이츠 저널』26권, 25~44쪽, 전체 20쪽
- 주제분류
- 인문학 > 언어학
- 파일형태
- 발행일자
- 2006.12.30
5,200원
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국문 초록
As a contemporary Northern Irish, Anne Devlin questions the traumatic experience and memory in personal and national histories of Northern Ireland. The Troubles-ridden landscape of Northern Ireland turns into a dramatic site in which Anne Devlin's heroines negotiate their quests for voice and visibility. In her first play, Ourselves Alone (1985), Devlin foregrounds the experiences of women who are excluded from the public and secluded within their domestic realm. Three young women, Frieda, Josie and Donna, struggle against the isolation and the violence that permeate their daily lives. What is common to these three women is that their lives are constructed, controlled, and represented by the men around them. Their personal identities are constantly wiped out by the communal identities. Whether they are career women, political activists, or housewives, there is always a boundary that limits their sphere of action. Furthermore, the idea of home becomes a metaphor for their nation. Far from being a domestic haven, their homes are constantly disrupted by external violence in war-torn Belfast and their homes turn into an experimental site where men's national ideology is tried and approved. Here, the male patriarch or father figure comes armed with a specific political and national stance and the home becomes a microcosm of the nation. Women are expected to live up to a national ideal in which their primary function is to reproduce the members of the collectives while their home is under constant patriarchal surveillance. This essay focuses on questions of home, gender and nation and asks how the seemingly most private sphere of home has come to be intersected with the public sphere of the nation and, also, how women's roles are imagined and perpetuated within the frame of national ideology.
영문 초록
목차
I. Introduction
II-i. The Notion of Nation and Gender Identity
II-ii. Ireland-The Feminized Nation
III-i. Gender and Nation in Ourselves Alone
III-ii. The Intersection between Home and Nation
III-iii. The Surveillance of Female Body
IV. Conclusion
키워드
해당간행물 수록 논문
- 예이츠의 「젊었을 때와 늙었을 때의 한 여성」에서의 여성의 성
- 거시사와 가족사의 간격: 존 몬타그의 시세계
- 『한국예이츠저널』 수록논문의 국내문헌 인용 고찰
- Deconstruction and Decreation: Yeats, Stevens, and Picasso as Poet and Artist
- W. B. Yeats’s View of Good and Evil
- 소용돌이(“The Gyres”): 새로운 출발
- 『역사 밖에서』(Outside History)와 이반 볼랜드(Eavan Boland)의 몸의 시학
- Co-existence of eco-feminism and patriarchism in W.B. Yeats’s and Seamus Heaney’s poems
- 글쓰기 주체와 인식적 지도 그리기
- 늙음, 욕망, 그리고 상상력 - “탑”의 세 작품을 중심으로
- 예이츠와 보르헤스의 상호 텍스트성: 그 연접과 이접
- [Book Review] James Pethica, Yeats’s Poetry, Drama, and Prose. A Norton Critical Edition
- The Reinscription of Home, Gender and Nationalism in Anne Devlin’s Ourselves Alone
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