영화적 개념의 탈영토화와 뉴미디어적 재영토화

• 영문명: Cinematic Deterritorialization and Mediatic reterritorialization: focusing on the filmic works of Peter Greenaway
• 발행기관: 한국영화학회
• 저자명: 서대정
• 간행물 정보: 『영화연구』제53호, 115~138쪽, 전체 24쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2012.09.30

영문 초록

Sergei Eisenstein tried to new and revolutionary cinematic paradigm in film history. He refuted Béla Balázs through so called “thesis war”. Today we can recall that event as to defining what is cinema. Eisenstein insisted that four tyrannies had to be expelled in cinema. Actor, camera, text, frame are consist of these dictators according to his theory. The declaration of Eisenstein is repeated by Peter Greenaway. He regards the conventional components as of little value. Because he thinks that new cinematic paradigm could be spring up against the obstacles of conventional concepts. Hence, we need to focus his maintenance. He has worked for 40 years through his theory as faithful activist. We believe detailed review of his theory could be show the history of revolutionary cineastes’' attempts. We missed the true nature of the problem in cinematic debate. We have overlooked the fact that cinema has been subordinated by other concepts of arts. So cinema might have waited new cinematic paradigm. We think the time has come to define authentic cinematic identity. Peter Greenaway gives some critical view point for next cinema era. New media based on multi-media unite other genres in digital century. For this reason new media will show us totally different identity of cinema.

목차

Ⅰ. 새로운 영화에 대한 열망과 기다림

Ⅱ. 에이젠슈쩨인과 그리너웨이의 4대 폭군(4 tyrannies) 추방 운동

Ⅲ-ⅰ. 첫 번째 폭군 - 텍스트(text) 추방

Ⅲ-ⅱ. 두 번째 폭군 - 프레임(frame) 추방

Ⅲ-ⅲ. 세 번째 폭군 - 배우(actor) 추방

Ⅲ-ⅳ. 네 번째 폭군 - 카메라(camera) 추방

Ⅳ. 클래식과 박물관 사이에서 미로 찾기

키워드

actor text frame camera 4 Tyrannies new media cinematic paradigm