인터랙티브 다큐멘터리-미학적 분석과 그 의미

• 영문명: Interactive Documentary- Its Aesthetic Analysis and Meaning
• 발행기관: 한국영화학회
• 저자명: 박미선 이재준
• 간행물 정보: 『영화연구』제53호, 63~87쪽, 전체 25쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2012.09.30

영문 초록

Over the last few years, new documentaries have come to the world documentary circles. New media, also known as digitally-improved interactive documentaries, are the new players. Representative works are Out My Window, produced by the National Film Board of Canada (NFB) and directed by Katerina Cizek, and Prison Valley, produced by Arte TV and created by French journalists. The interactive documentaries have won a series of prizes in both documentary and media circles as they presented the future of documentaries. However, few studies have been conducted on the convergence of documentary and new media in Korea. What is interactive documentary? What are the key characteristics of them and how are they differentiated from others? What is the ground for calling them as documentary? If they could be called as documentary, what makes this possible? What characteristics do they share with documentaries and what differentiates them from documentaries? To answer these questions, the first step is to theoretically approach the budding cultural phenomenon, and an attempt to critically understand the documentary culture as a tradition. This study is valuable to discuss the future documentary culture that is filled with diversity.

목차

1. 들어가는 말

2. 인터랙티브 다큐멘터리의 현상분석: 주요 작품을 중심으로

3. 인터랙티브 다큐멘터리의 개념적 특성

4. 나오는 말

키워드

Interactive Documentary Documentary Interactivity Interaction Narrative Reality Digital Technology Web-docu Media Aesthetics Interaction Aesthetics