존 마셜(John Marshall)의 민족지영화 방법론과 <나이, 쿵 여인의 이야기(N!ai, The Story of !Kung Woman)>(1980)의 분석

• 영문명: John Marshall's 'N!ai, The Story of a !Kung Woman'(1980)
• 발행기관: 한국영화학회
• 저자명: 이기중
• 간행물 정보: 『영화연구』제54호, 237~267쪽, 전체 31쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2012.12.31

영문 초록

John Marshall is well-known for a lifelong involvement with Ju/wasi people in Namibia's Kalahari desert as both an ethnographic and documentary filmmaker and activist. This paper focuses on (1980) which is the second feature-length ethnographic/documentary of John Marshall. depicts the life of N!ai, a middle-aged !Kung woman and the disruptive upheaval her people have experienced between 1950s and 1970s in the region of Kalahari desert. The paper firstly explains John Marshall's connection with West Africa and gives informations about the background of making of and John Marshall's first film, (1957). And then the paper explores into John Marshall's unique concept of 'slot' and elucidates how he approaches N!ai and Ju/wasi people through the concept. Thirdly, the study elaborates on the textual analyses of in terms of two perspectives: 'juxtaposition of the past and present' and 'use of biographical methodology'. Finally, the paper attempts a comparative analysis between and in order to gain a better understanding of as well as John Marshall's filmic methodologies.

목차

1. 들어가는 말

2. <나이, 쿵 여인의 이야기(N!ai, The Story of !Kung Woman)>의 제작 배경

3. '슬롯(slot)': 촬영장면의 구상(構想)

4. <나이, 쿵 여인의 이야기(N!ai, The Story of !Kung Woman)>의 영화분석

5. 나오는 말

키워드

John Marshall ethnographic film Ju/wasi(!Kung) Bushman Kalahari Desert Namibia)