1960년대 쿠바영화에서의 혁명수용 형태 연구

• 영문명: The Cuban Cinema of the 1960s and Its Representation of the Cuban Revolution
• 발행기관: 한국영화학회
• 저자명: 정태수
• 간행물 정보: 『영화연구』제59호, 333~364쪽, 전체 32쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2014.03.31

영문 초록

The most important thing facing Cuba after the 1959 revolution was toestablish, based on the process of the revolution, Cuba as an independentnation, which was more significant than anything else for Cuba, a nationdominated by Spain and the United States for a long time. For this, therevolutionary government of Cuba aimed to imprint its identity and realityon its peoples by bring them to a recollection of its revolution and itscolonial history. The vehicle that was to carry out the aims of therevolutionary government was cinema. Cinema became what was to realizethe political aims of the revolutionary government. The filmmaking of the1950s in Cuba already proved this role of cinema. In this regard, the Cubancinema of the 1960s was deeply related to what the revolution governmentaimed and was situated. During this period, Cuban films focused onshowing Cuba’s struggles for the revolution and its colonial experiences. It is not overwhelming that after the revolution what Cuban cinema dealtwith was absolutely related to the establishment of Cuba’s history as an independent nation.

목차

1. 1959년 혁명과 쿠바영화의 변화

2. 혁명투쟁 기록으로서의 영화

3. 영화 속 식민지 쿠바의 역사와 여성 이미지

4. 쿠바인들의 정체성과 현실인식으로서의 영화

5. 결론

키워드

the Cuban Cinema the Cuban Revolution Cuba’s history Independent nation