<디 아워스>의 오프닝 시퀀스 연구

• 영문명: A Study on the Opening Sequence of 《The Hours》
• 발행기관: 한국영화학회
• 저자명: 박인영
• 간행물 정보: 『영화연구』제59호, 157~183쪽, 전체 27쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2014.03.31

영문 초록

This paper analyzes the opening sequence of by StephenDaldry(2002). As a ‘reading the cinematic text’, the purpose of this paperis to illuminate the use of the style in the opening sequence. Though theopening sequence has been less focused, this paper supposes that of is somewhat essential and powerful part which can be called ‘thecinematic’. Through the mise-en-scene, cinematography, montage, and music, theopening sequence of converts the discontinuity into thecontinuity between three women-Virginia, Mrs. Brown, and Clarissa, andmakes the intense image of similarity. In terms of mise-en-scene, theresemblance of actions of characters and same directions of actionsprovides the inner relationship which is inherent below the surface. Cinematography emphasizes the similarity of the obscure and hiddenfemale experiences and consciousness. The most remarkable of thissequence is the mechanism of montage. It can be said that this montagereminds the ‘montage of linkage theory’ by Vsevolod. I. Pudovkin. Theability of representing visual images to make a association of a concept isa key role of providing of sameness and relationship between threewomen. And the theme music by Philip Glass shows that it has thelogical relationship with the film’s form through enforcing the similarityof three women.

목차

1. 들어가는 말

2. 기타 사례 연구

3. <디 아워스>의 오프닝 시퀀스 분석

4. 맺는 말

키워드

Virginia Woolf The Hours opening sequence montage cinematography music the consciousness of women similarity continuity