키에슬롭스키 영화에서 ‘관객의 주체화’ 문제 제기 - <십계 5>, <살인에 관한 짧은 필름>을 중심으로 -

• 영문명: Raising a Question on Audience’s Subjectification in Kieslowski Film - Focusing on , -
• 발행기관: 한국영상제작기술학회
• 저자명: 이학준 김종완
• 간행물 정보: 『영상기술연구』제30호, 187~205쪽, 전체 19쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2019.06.30

국문 초록

According to Jacques Lacan, all humans suffer from mental illness. Humans escape mental illness and reach subjectification through traverseedu phantasme. Lacan’s subjectification is a rebirth as the subject of pure desire, and Slavoj Zizek’s subjectification means a reform as the subject that seeks common good. Through the character’s journey to subjectification, the audience is affected by their unconsciousness. In addition, the audience experiences subjectification. But there are no subjective characters in the two films, and . Kieslowski tries to add an impact to the audience’s unconsciousness by describing detailed murder scenes. The director’s intention is to make the audience realize how cruel murder by public authority is. This study analyzes Kieslowski’s two films by raising a question on ‘Audience’s Subjectification’.