영화 <밀양>과 소설 <벌레 이야기>의 서사 전략에 대한 비교 연구

• 영문명: A Study Comparative for the Narrative Strategy of (Lee Chang-Dong) and 『An Insect Story』(Lee Chung-Joon)
• 발행기관: 한국영화학회
• 저자명: 서정남
• 간행물 정보: 『영화연구』제43호, 199~228쪽, 전체 30쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2010.03.31

영문 초록

This study has been started to examine the narrative strategy which is included in the movie directed by Lee Chang-Dong. Firstly, it comprehends the development of the cause-and-effect process of each event. Secondly, it contains embodiment of the characters who have caused, lead, and ultimately accomplished the events. Thirdly, it implicates creation of the suitable temporal, spatial, and geographical backgrounds. Fourthly, it comprehends every image and sound which is shown and heard by the audience from the beginning to the end. That is to say that inside and outside, and contents and form of the text become a matter of concern. With this intention, this study compares and examines which is the original short story, written by Lee Chung-Joon, of with the movie itself. Lee Chang-Dong has partly brought the events to his movie which are descripted in the novel, but wholely did the theme. He made the most of the theme, and the virtue of it. He has changed the point of view from the first-person view to the objective-observer view. In addition, he has established the background of the movie 'Miryang' which had been indefinitely treated in the novel. On the contrary of the novels, it is essential to choose spatial background and present it to the audience every moment in the movies. Actually, productive imagination of Lee Chang-Dong which generates symbolic implication of the place's name, Miryang, in relation to the theme of the text is preeminent. As the English title, Secret Sunshine, implicates, 'Miryang' has lead the level of completion of itself to the highest stage, jumping over the matter of space. In the novel, trauma of the mother who had losted her child and reactions which are caused by that are being shown with elaborate descriptions. However, it is regarded as one which considerably lacks facts and reality. By the 1980's in which the novel was published, there had not been any particular research or information about PTSD(Post-Traumatic Stress Disorder). Resulted from that, the probability of the trauma and reactions that had been experienced by the main characters is considerably lacked even though they are described in detail in the novel. On the contrary, PTSD shown by heroine of the movie, Sinae, is depicted simply and significantly by Lee Chang-Dong. Through these strategies, the director is obviously showing us critic consideration of Weltanschauung in regard of the sins of human being, forgiveness, and salvation of the soul. In addition, beyond that lofty reflection, he is displaying us the mysterious and concealed secrets and the intention of salvation toward human being.

목차

1. 들어가는 말

2. 두 텍스트의 비교 분석

3. 이야기의 배경, 혹은 ‘밀양’의 함의

4. 주제의 변주, 외상 후 스트레스 장애(post-traumatic stress disorder : PTSD)에 대한 표현 방식의 차이

5. 결론

키워드

weltanschauung of Christianity PTSD(Post-Traumatic Stress Disorder) sin & forgiveness secret sunshine