- 영문명
- The aesthetics feeling of sympathy which is expressed with movie: Monster's Ball(2001), Love Letter(1995) - mainly on the movies above
- 발행기관
- 한국영화학회
- 저자명
- 진승현
- 간행물 정보
- 『영화연구』제44호, 315~346쪽, 전체 32쪽
- 주제분류
- 예술체육 > 예술일반
- 파일형태
- 발행일자
- 2010.06.30
6,640원
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국문 초록
영문 초록
Frequently human called as ‘a creature of feelings’. Compare with animals, human has more various feelings and live upon express it and give-and-take it. The feelings expressed more dramatic in movie. There is only the expression of angering actor who shaking he’s fist, not just a word of script that ‘forbear’. That is, by any act that would represent feelings. Moreover close-up actor’s face and use the selective background music for more effective expression of feelings. These elements not only represent the characters' emotional flow but also work as an aesthetic aspect in movie like a Montage and Mise en Scene. Movie is an important social regime beyond simply entertainment offering. Movie is a part of modern mass society and helped us to formulate our life style. In particular, there is a consideration of children and youth from the significant influence by movie and the rating classification system operated since the rise of the necessity of social control. Basically ‘movie watching’ is a collective acts. The official classification system could operate because movie was approved as a social regime. Then what lead audience to watch a movie? The attraction of movie is not just in the fun of finding that our normal life which was exaggerated and embellished. It is in the impression that makes us to realize and conduct by ourselves what is more beautiful life, through an empathy with another life in movie. Empathy of the audience and other empathy what projected to the audience of character, these two empathies make a double empathy and amplify emotions. And contents also make one bridge, has two characteristic which contrary and also not contrary, between real and fiction, that is invented real. Therefore movie orient real and real orient movie. No matter how generation change and the emotion of audience change, the human nature’s love and the despair of lover will not change that easily. In that sense, regardless of era and country movie has a common sense and emotion. If so, how movie expresses the ‘emotion’? In this regard, or is a work of meticulous attention to detail. Good performance, solid narrative and image composition which already proven in several film festivals, these things teaches why author chose upper two movies. Foreshadowing, metaphors and symbolic technique that appear in the movie have a considerable influence on the audience's involvement. That’s because audience naturally assimilated to the psychology of characters by compact configuration and various dramatic devices. Sound is also same. We could say that movie and music in movie work as the function of the amplification of emotion. That is music used effectively to raise the basic emotions like sadness, joy, anger, fear and sometimes synesthesia emotions like solemnity or elegance, cold-hearted feeling, etc. In addition, we could say it’s the mission of music that describing real state or situations effectively. The trait of movie as a media is more effective expression than other media. It’s easy to movie that prepared scenario delivery because movie is a media which created combining image and audio at the same time. Unlike the TV programs what base on realism and actual situation, movie shows endless techniques of expression in lot of genres. That’s why audiences accept it naturally and rather feels it is more realistic that somewhat out of touch with reality and even a world of fantasy presented because they experienced it postnatally. Movies are made to be shown to audience and desire the audience to be happy at least two hours by showing a movie. If we do not ignore that beautiful appeal, our life story would not end which movie would shows to the future.
목차
1. 들어가는 말
2. 본론(序)
3. 결(結)
키워드
해당간행물 수록 논문
- 영화 <아바타>와 지각의 문제에 대하여
- SF장르에서 공간 표현의 새로운 가능성
- 영화로 표현 된 공감(共感)적 감정 미학
- 대중영화를 통해 확인해보는 한국사회의 포스트모던적 징후들
- 엔딩 시퀀스 플래시백 연구
- 미켈란젤로 안토니오니의 <일식>과 ‘죽은 시간’의 모험
- 비극, 비판, 실험-하길종 영화를 이해하기 위한 세 코드
- <집없는 천사>와 <미가헤리의 탑みかへりの塔>의 비교 연구
- 1910년대 조선의 변사시스템 도입과 그 특징에 관한 연구
- 1960년대 영화, 여성의 소망이미지
- ‘文藝映畵’의 함의
- 최인규 영화의 불균질성
- 곡사 텍스트의 자기반영적 미학 스타일: 미장 아빔, 퍼포먼스, 상호텍스트성
- 본질 강화로 귀결되는 성형수술의 역설
참고문헌
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