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학술논문

영화로 표현 된 공감(共感)적 감정 미학

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영문명
The aesthetics feeling of sympathy which is expressed with movie: Monster's Ball(2001), Love Letter(1995) - mainly on the movies above
발행기관
한국영화학회
저자명
진승현
간행물 정보
『영화연구』제44호, 315~346쪽, 전체 32쪽
주제분류
예술체육 > 예술일반
파일형태
PDF
발행일자
2010.06.30
6,640

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국문 초록

영문 초록

Frequently human called as ‘a creature of feelings’. Compare with animals, human has more various feelings and live upon express it and give-and-take it. The feelings expressed more dramatic in movie. There is only the expression of angering actor who shaking he’s fist, not just a word of script that ‘forbear’. That is, by any act that would represent feelings. Moreover close-up actor’s face and use the selective background music for more effective expression of feelings. These elements not only represent the characters' emotional flow but also work as an aesthetic aspect in movie like a Montage and Mise en Scene. Movie is an important social regime beyond simply entertainment offering. Movie is a part of modern mass society and helped us to formulate our life style. In particular, there is a consideration of children and youth from the significant influence by movie and the rating classification system operated since the rise of the necessity of social control. Basically ‘movie watching’ is a collective acts. The official classification system could operate because movie was approved as a social regime. Then what lead audience to watch a movie? The attraction of movie is not just in the fun of finding that our normal life which was exaggerated and embellished. It is in the impression that makes us to realize and conduct by ourselves what is more beautiful life, through an empathy with another life in movie. Empathy of the audience and other empathy what projected to the audience of character, these two empathies make a double empathy and amplify emotions. And contents also make one bridge, has two characteristic which contrary and also not contrary, between real and fiction, that is invented real. Therefore movie orient real and real orient movie. No matter how generation change and the emotion of audience change, the human nature’s love and the despair of lover will not change that easily. In that sense, regardless of era and country movie has a common sense and emotion. If so, how movie expresses the ‘emotion’? In this regard, or is a work of meticulous attention to detail. Good performance, solid narrative and image composition which already proven in several film festivals, these things teaches why author chose upper two movies. Foreshadowing, metaphors and symbolic technique that appear in the movie have a considerable influence on the audience's involvement. That’s because audience naturally assimilated to the psychology of characters by compact configuration and various dramatic devices. Sound is also same. We could say that movie and music in movie work as the function of the amplification of emotion. That is music used effectively to raise the basic emotions like sadness, joy, anger, fear and sometimes synesthesia emotions like solemnity or elegance, cold-hearted feeling, etc. In addition, we could say it’s the mission of music that describing real state or situations effectively. The trait of movie as a media is more effective expression than other media. It’s easy to movie that prepared scenario delivery because movie is a media which created combining image and audio at the same time. Unlike the TV programs what base on realism and actual situation, movie shows endless techniques of expression in lot of genres. That’s why audiences accept it naturally and rather feels it is more realistic that somewhat out of touch with reality and even a world of fantasy presented because they experienced it postnatally. Movies are made to be shown to audience and desire the audience to be happy at least two hours by showing a movie. If we do not ignore that beautiful appeal, our life story would not end which movie would shows to the future.

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APA

진승현. (2010).영화로 표현 된 공감(共感)적 감정 미학. 영화연구, (), 315-346

MLA

진승현. "영화로 표현 된 공감(共感)적 감정 미학." 영화연구, (2010): 315-346

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