대중영화를 통해 확인해보는 한국사회의 포스트모던적 징후들

• 영문명: The Symptoms of Korea as a Post-Modern Society: focusing on Vietnam War Films
• 발행기관: 한국영화학회
• 저자명: 이승환
• 간행물 정보: 『영화연구』제44호, 207~225쪽, 전체 19쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2010.06.30

영문 초록

This paper wants to show that the identity of Korea which is changing rapidly since mid 2000s is reflected in the popular films - focus on and . Fredric Jameson points out, especially the post modern society and the consumer society of the features you want to make sure the public is reproduced through the movie. Jameson, too, the distinction between modern era and post-modern era does talking about the position clear, but post-modern society and the consumer society has pastiche eclipses parady, the death of subject, and is Nostalgic mode. Of course, the use of his notion of post-modern, modern, is not a opposite side. His post-modern concept is not a simple concept. Particularly high art and popular culture, postmodern society is divided into the artistic trends of the modern consumer society and how they eventually change.

목차

1. 대중영화를 통한 과거 돌아보기

2. 이미지의 과도한 활용

3. 끝없는 대립

4. 과거에 대한 애정(?)어린 시선

5. 포스트모던 사회의 대중영화

키워드

Fredric Jameson pastiche death of subject nostalgic mode Vietnam War