디지털매체와 영화의 재설정

• 영문명: Digital Media and Reconfiguring the Film An Analysis of M from the Perspective of Media Studies
• 발행기관: 한국영화학회
• 저자명: 오은경
• 간행물 정보: 『영화연구』제45호, 203~228쪽, 전체 26쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2010.09.30

영문 초록

This study, an analysis of the film M(Myung-se Lee, 2007) from the perspective of Media Studies, attempts to understand the film on the topographic maps of media that has been reorganized by digital technology. Since the age of mechanical reproduction, art has followed the new aesthetic principle of repeatability. And digital technology has changed the principles of image production. Digital compositing has created a new style for film editing by combining repeatability with the free modification of moving images. In the film M, the repetitive use of image(and shots) creates a certain pattern which, despite interfering with the narrative flow, provides a new film-watching experience for the audience. This study interprets the unique style of M as the effect of the new media technology. Repetition and the loop, which is used as a narrative engine, can be seen as traces of remediation in the digital era and as a the strategy of digital narrative. This paper seeks to provide a possibility for a new interpretation of M through the meta-film analysis from the perspective of media studies.

목차

1. 서론

2. 영화의 해체 : 디지털기술로 재설정되는 영화

3. 디지털서사의 형상화를 통한 영화의 재구성

4. 결론

키워드

digital narrative repetition loop meta-film association non-place media studies remediation