일제말기 조선영화에 재현된 친일 협력에 대한 연구

• 영문명: Study on collaboration with Japanese Imperialism represented in Choson films
• 발행기관: 한국영화학회
• 저자명: 김미현
• 간행물 정보: 『영화연구』제45호, 35~57쪽, 전체 23쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2010.09.30

영문 초록

This paper is to discuss motivation and contradiction on people’s collaboration represented in those Choson collaboration films after later 1930’s including Military Train(1938), Volunteer(1941), Straits of Choson (1943), Spring of the Korean Peninsula(1943). Choson people’s collaboration, which is a governing method by the Japanese Empire Militarism, is represented as realistic issues, such as a way out from modern torpor, a way to escape from torment in reality, sacrifice for legitimacy. However, the Pledge of Allegiance to the Japanese Empire and Japan and Korea are One Body are basically contradictory ideology to Choson people during the colonial period, and because of this, unexplainable defect and rupture is remained in film characters and narratives. This study presents that collaboration in Choson films is an issue in reality and daily lives, and that contradiction in narratives appears due to instability of being Choson People and their status.

목차

1. 들어가며

2. 영화 신체제와 조선영화계의 협력

3. 조선영화의 협력 동기와 자연화 과정

4. 나오며

키워드

collaboration films colonial mentality Choson films