알폰소 쿠아론의 롱테이크 미학

• 영문명: Study on Alfonso Cuaron's longtake style: Focusing on ,
• 발행기관: 한국영화학회
• 저자명: 박철웅
• 간행물 정보: 『영화연구』제45호, 163~184쪽, 전체 22쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2010.09.30

영문 초록

Alfonso Cuaron started his career in Hollywood film industry, had successful debut with his first film (1991)that was based on Hollywood classical form and gained fame with his film that was consist of contemporary film's main characters like rapid speed editing, free range camera movement and simple storyline. Afer then, he begin to form his own style with cinematographer Lvezki on . That is longtake style. The longtake style is the style that early frontier like Orson Wells, Jean Renoir and Misikuzi Kenzi began to direct and arranged aesthetically by Andre Bazin. But, it's use have been reduced and Only certain art or independent film treate with it, nowdays. However, Alponso Cuaron dare to deal with it on his works. He developed his own longtake style based on traditional way. He followed the traditional longtake style in using frame depth and proceed the story by using of the layers of frame depth. In the same time, he created the continuous hand held longtake style which make spectators feel if they were in the frame and which complete editing by itself with ready_ made choreography. The longtake style is the spot that Cuaron has met in his way to develop his own style without staying his success in Hollywood. It is different from the other foreign directors who used to be talented, and now just followed the way Hollywood system demand, finally was exhausted.

목차

1. 서론

2. 할리우드 고전 영화 문법과 현대의 ‘심화된 연속성(Intensified continuity)’에서의 롱테이크

3. 알폰소 쿠아론의 작품연보와 스타일의 변화

4. [이투마마], [칠드런 오브 맨]의 롱테이크 설계

5. 결론

키워드

Alfonso Cuaron Emanuel Lubezki Longtake Children of men Y tu mama tambien