동일시 이론의 관점에서 본 영화의 초점화 양상 연구

• 영문명: Aanalysis of Focalization at the Movies From Identification Theory
• 발행기관: 한국영상제작기술학회
• 저자명: 김종완
• 간행물 정보: 『영상기술연구』제21호, 107~126쪽, 전체 20쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2014.12.31

국문 초록

This study aims to investigate for film Choi Wee-An’s Film that is a very special narrative text, in which there is representing various point of views related to the narrator of the narrative texts and the point of views/ focalization which have been discussed by the number of the narrative researchers so far. In particular, the author also deals with the researchers from Gerard Genette, Mieke Bal and Jean-Louis Baudry to Laura Mulvey who are regarded the best theorists in this field. Based on these studies as methodologies, the author examines the movie in detail that makes this movie extraordinary is in manipulating the mechanism of narrator, amusement of point of view/ focalization, and creation and delivery of narrative information, and also in awakening that these facts are overturned and obviously shown. To get rid of ambiguousness the term ‘point-of view’, this article applies ‘focalization’ theory to analyze narrative structure of film. The result of analysis shows that there are three focalizers in film; director, protagonist-character and camera. And aspects of film can be varied by distance of each focalizer. These distances between focalizers limit amount of visual information.

목차

Ⅰ. 서론

Ⅱ. 본론

Ⅲ. 결론

참고 문헌

키워드

Focalisation Focalized object External focalizer Internal focalizer