영화에서 “틈(隙)”에 대한 공간연구－봉준호감독 영화를 중심으로－

• 영문명: Space of ‘Gap’ in Films－Focused on Director Bong Joon-ho’ Films－
• 발행기관: 한국영상제작기술학회
• 저자명: 윤장호
• 간행물 정보: 『영상기술연구』제21호, 203~223쪽, 전체 21쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2014.12.31

국문 초록

Spaces seen in a series of films by Film Director Bong Joon-ho are those of representation of contradictions produced by post-capitalism the contemporary society is facing. Expansion and inclination of power with urbanization have spread to an issue of alienation of individuals and family members. Constant’s New Babylon, which shows unitary urban planning in a form of a concretized city, depends its realization upon sharing of the land and complete automation of production. Spaces in his films develop those isolated internally as an important environmental element. When one looks at his works, it is necessary to have a vision to see the layers of topography and space from macroscopic and conceptual perspectives, breaking away from microscopic and concrete ones, and have an organic understanding of a space, which constantly changes beyond a physical structure. An architectural space is a place that formalizes the relationship with the world surrounding us. The formation of a city can be seen as the production of structures, and this spatial system is reproduced and utilized in the spaces of Director Bong’s films in a situation of the time in which the more compressed the growth in an environment, the thicker the shade becomes. To him, the space of ‘gaps’ is the time of losses of Korean society in the past, and he makes his characters challenge to the resulting critical spatial situation, which is a space of issues we should deal with in the future as well as reflect on the time that has passed outside the films.

목차

Ｉ. 서론

Ⅱ. 본론

Ⅲ. 결론

참고 문헌

키워드

space of gaps layers architectural space boundary