조선시대와 에도시대 기생의 화장 문화에 나타난 조형성 분석

• 영문명: Analysis of Formative Aspects in Gisaeng (Korean Geisha) Makeup Culture during the Joseon and Edo Periods
• 발행기관: 한국인체미용예술학회
• 저자명: 박인애(In-Ae Park) 전현진(Hyun Jin Jeon)
• 간행물 정보: 『한국인체미용예술학회지』한국인체미용예술학회지 제19권 제3호, 23~33쪽, 전체 11쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2018.09.20

영문 초록

This study comparatively analyzed the formative aspects of makeup techniques in the cosmetology culture of gisaeng (Korean geisha), who led the cultural trends during the Joseon and Edo periods. In terms of the scope of this study, it was assumed that the grounds for the history of cosmetology culture were formed during the Joseon and Edo eras. Specifically, the Joseon period was limited to from the time of the first king, Taejo (1392), to the 25th king, Cheoljong (1863), while the period from the 1st shogun, Tokugawa Ieyasu, to the 15th shogun, Tokugawa Yoshinobu, was covered for the Edo era. The analysis of makeup techniques during both periods based on a general theory of formality found the following: In terms of shape, thin crescent eyebrows and lips and small and round lips were found in Joseon while almost straight-lined arched eyebrows and small and unnaturally rounded lips were found in the Edo period. In terms of color, rouge and red lips were found in both countries. Specifically, a style known as sasa-iro beni (bamboo grass red) was applied to the lower lip in green based on a metallic green beetle. In addition, a unique makeup technique called ‘heukchi’ was used to create the color black. In both countries, the eyebrows were expressed in black and a whitened face was created. In terms of texture, a natural and fuzzy texture was expressed with powder in Joseon while the face was painted with white makeup, creating a dry texture, during the Edo period.

목차

Ⅰ. 서론

Ⅱ. 이론적 배경

Ⅲ. 결과 및 고찰

Ⅳ. 결론 및 제언

키워드

Joseon Dynasty(조선시대) Edo Period(에도시대) Geisha(게이샤) Make-up Culture(화장문화) Formative Characteristics(조형적 특성)