서정적 느와르와 의례화된 폭력-<영화는 영화다>의 재현전략을 중심으로

• 영문명: Lyrical Noir and Ritualized Violence: Representation Strategies in Rough Cut
• 발행기관: 한국영상제작기술학회
• 저자명: 정흠문
• 간행물 정보: 『영상기술연구』제48호, 133~152쪽, 전체 20쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2025.09.30

국문 초록

This study explores the aesthetic strategies of ritualized violence in the Korean noir film Rough Cut(영화는 영화다, 2008). Drawing on Thomas Schatz’s genre theory and Borde & Chaumeton’s concept of the “ceremony of killing,” the paper introduces an expanded framework of “ritualized violence” to examine the film’s representation of violence. Through a multi-layered analysis of narrative structure, visual mise-en-scène, and meta-cinematic self-reflexivity, the study explores how the film constructs symbolic inversion—most notably through the transformation of a Buddhist statue into a weapon, the final freeze-frame sequence, and the inclusion of a film-within-a-film. Rough Cuttranscends the conventional codes of noir by embedding emotional depth, existential ambiguity, and ethical tension within its genre structure. The film ultimately exemplifies a performative mode of Korean noir—what this paper terms “lyrical noir”—hich integrates genre conventions with affective and symbolic complexity, thereby proposing a new direction for Korean genre cinema.

목차

Ⅰ. 서론

Ⅱ. 이론적 논의

Ⅲ. <영화는 영화다>의 의례화된 폭력

Ⅳ. 결론

참고 문헌

키워드

Ritualized Violence Lyrical Noir Genre Representation Strategies Subversion of Religious Symbols Film-within-a-Film Structure