포스트모더니즘과 연극형식의 영화에 관한 연구 - <요리사, 도둑, 그의 아내 그리고 그녀의 정부>와 <도그빌>을 중심으로 -

• 영문명: A Study on Postmodernism and the Cinema of Theatrical Form - Centering on and -
• 발행기관: 한국영상제작기술학회
• 저자명: 김은주
• 간행물 정보: 『영상기술연구』제17호, 139~157쪽, 전체 19쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2012.12.31

국문 초록

Postmodernism is the spirit of the times we should observe. This is because it made a huge difference of lifestyle, architecture, music, and fine arts. The contingency, disorder, irony emerged as the characteristics of postmodernism and crumbling between genres, intertextuality and self-reflexivity became a part of postmodernism. This study focuses on the analysis of , which are seeking a novelty and aesthetic experiments through postmodern elements and theatrical forma of Bertolt Brecht such as alienation and exposing theatrical techniques. Two films have a lot in common which passes themes and narratives through theatrical form and creates postmodern images of the cinematic space. The two works are all that have the characteristics of revenge should be noted. In , the thief murders his wife's lover and thief's wife kills the thief for revenge of her lover. In , angelic Grace who has been persecuted by villager avenge them brutally. The director of , Peter Greenaway recognizes his film is a 17th-century tragic revenge, as well as a partially political film. It can be regarded as a fetish or nostalgia about unbridled spending culture of Britain's Margaret Thatcher regime in 1980's. As the first film of Lars Von Trier's' American Trilogy, deals with American capitalism and the properties of the imperialism. Through theatrical form these works expose fictional irony, make a mistake of watching film, and keep the distance between the audience and the film. These works also show harmony that can not be in harmony with the characteristics of postmodernism.

목차

Ⅰ. 서론

Ⅱ. 본론

Ⅲ. 결론

참고 문헌

키워드

Postmodernism Theatrical Form Revenge Political Film