'허우 샤오시엔' 영화 속에 나타난 이차 프레임 연구- 비정성시, 카페 뤼미에르, 쓰리 타임즈를 중심으로 -

• 영문명: A Study on the Second Cadre in Hou Hsiao hsien's Films - With Emphasis on City of Sadness, Cafe Lumiere, Three Times -
• 발행기관: 한국영상제작기술학회
• 저자명: 최광영 진승현
• 간행물 정보: 『영상기술연구』제17호, 101~119쪽, 전체 19쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2012.12.31

국문 초록

Hou Hsiao hsien is a leader of 'New Cinema' pursuing contemplative media aesthetics as continuously making films of native tendency examining the history of Taiwan and Mainland China, and at the same time a movie director who was greatly affecting on Taiwan motion pictures. This study is for specific examination and analysis on 'frame within frame', that is, 'second cadre' expressed in the movie by Hou Hsiao hsien. The researcher selected (1989), (2003), and (2005). As the results of reviewing these three movies, it can be known that the second cadre is an effective technique visually emphasizing movie characters and concentrating on mentalities of those characters at the same time. Also, it could be known that the implication of descriptive content or subject and the facts of continuous and repeated events (subject) with the third cadre method took a role of reminding more the story which was structurally repeated. Besides, it could be known that as expressing in combination of the second cadre and perspective, there is a case of creating newer meaning.