济宁汉画像石中的儒家舞蹈身体观

• 영문명: The Body View of Confucian Dance in Jining Han Pictorial Stones
• 발행기관: YIXIN 출판사
• 저자명: Yan Chunwei Gao Yincong
• 간행물 정보: 『Journal of musicological studies』Vol.2 No.2, 40~51쪽, 전체 12쪽
• 주제분류: 사회과학 > 교육학
• 파일형태: PDF
• 발행일자: 2025.06.30

국문 초록

The Han dynasty pictorial stones from the Jining area, as significant cultural artifacts of the Han Dynasty, are primarily found in the five major geographical units and three key cultural nodes around Jiaxiang. These stones reflect the spatial layout of the tomb culture in southwestern Shandong and highlight the central role of the Jiaxiang stone shrine in Confucian ritual and music civilization. This paper explores the three dimensions of the Confucian view on dance through the images of dance depicted in these pictorial stones: the concept of dignity, which is expressed through solemn dance postures to establish social hierarchy; the concept of mental and physical unity, which is embodied through dynamic rhythms; and the concept of propriety, which conveys moral norms through standardized movements. The study reveals that Han dynasty dance not only served entertainment but also played a crucial role in cultural inheritance and moral education, highlighting the profound influence of Confucian culture on dance art and enriching the academic understanding of the relationship between dance and Confucian culture.

영문 초록

济宁地区汉画像石作为重要汉代文化载体，集中分布于嘉祥及其周边的五大地理单元和三大文化节点，反映了鲁西南墓葬文化的空间格局及嘉祥石祠在儒家礼乐文明中的核心地位。本文以画像石中的舞蹈图像为切入点，系统探讨儒家舞蹈身体观的三大维度：威仪观通过庄重舞姿彰显尊卑秩序；心气化观借动态韵律体现身心合一；礼义观则通过规范动作传递道德规范。研究表明，汉代舞蹈不仅承载娱乐功能，更作为文化传承与道德教化的重要媒介，凸显儒家文化对舞蹈艺术的深远影响，丰富了对舞蹈与儒家文化关系的学术理解。

목차

Ⅰ. 引言

Ⅱ. 济宁汉画像石地理分布

Ⅲ. 济宁汉画像石的石刻分析

Ⅳ. 济宁汉画像石中儒家舞蹈身体观

Ⅴ. 结论

参考文献

키워드

Han pictorial stone Confucian view of dance body View of dignity View of rites and righteousness View of heart qi transforming body 汉画像石 儒家舞蹈身体观 威仪观 礼义观 心气化身体