우리 영화의 기원으로서 연쇄극에 관한 시론

• 영문명: A Study on Yeonswaegeuk (Kino-Drama) as the Origin of Our Film
• 발행기관: 한국영화학회
• 저자명: 전평국
• 간행물 정보: 『영화연구』제24호, 463~498쪽, 전체 36쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2004.12.31

영문 초록

This study is arranging a concept of kino-drama that is possessing an important meaning of the early Korean film history, through the theater showing and the viewing behavior, the interrelation with Sinpageuk (transpontine melodrama), and the narrative cinema and formal comparison. This study is clarifying a point that the theater spectacle and the kino-drama viewing offered a public sphere, which allows spectators to realize civil consciousness and the modernity through shocking experience, under the situation that the popular culture and the popularity were not formed during the colonial period of Japanese rule before and after the 1920s, and played a role of icon in the formation of popular culture as the focus of entertainment media. Also, it is being seen as a natural phenomenon that was shown while absorbing diversely cultural environments, other than the rival relation with Sinpageuk (transpontine melodrama), and in terms of a mode, it included a narrative factor of the epic cinema, by forming a concept of the cinema of attractions based on the showing and the exhibition that Tom Gunning made clear in the early Western cinema. Accordingly, it is estimated as a mode that is differentiated and unique, other than a lack. In that sense, the Yeonswaegeuk (kino-drama) has the completion and independence as the cinema, and has the historical value and meaning as our film, through producing a producer, a director and a shooting engineer as the early Korean cinema.

목차

1. 들어가는 말

2. 놀이의 장터로서의 극장 : 버라이티쇼의 한 레퍼터리로서의 영화

3. 근대성의 또 다른 아이콘 신파극과 활동사진, 그들의 운명적 만남

4. 부족함이 아닌, 차별되고 독특한 형식

5. 맺는 말

키워드

Yeonswaegeuk(kino-Drama) Sinpageuk(transpotine melodrama) The Cinema of Attractions