그리너웨이(Peter Greenaway) 영화 <화가의 계약 The Draughtsman's Contract>에 나타난 실험영화적 특징과 미학 연구

• 영문명: A study on the experimentalcharacteristics and the esthetics ofPeter Greenaway's film
• 발행기관: 한국영화학회
• 저자명: 김금동
• 간행물 정보: 『영화연구』제26호, 31~57쪽, 전체 27쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2005.08.31

영문 초록

This paper analyzes the experimental characteristics and the esthetics of Greenaway's film, . Greenaway's film is generally known as a narrative cinema. But in this film there are characteristics of a 'structural-film', which denies the reality-illusion of a narrative cinema. Unlike the structural-film, Greenaway recognizes the reality-illusion as an essential and as an important characteristic of the movie-medium. First of all, Greenaway films unrelated shots of different times and different places. These shots are neither continuous nor unified. Secondly, he combines these discontinuous and non-unific shots in a technical, visual and aural dimension, so that the shots appear to be continuous and unified. Through his technique, Greenaway's films definitely take on characteristics of an experimental film. However, his film is categorically a narrative cinema because the viewers perceive his film as a narrative. Also, his films are considered to be selfreflexivity-films. Films of this kind deal with problems of illusion and of the viewers' perception.

목차

1. 머리말

2. 시리즈적인 서술구조

3. 불연속적인 시간과 통일성 없는 공간

4. 조작된 시간의 연속성과 공간의 단일성

5. 관객과 영화와의 관계

6. 메타포

7. 맺음말

키워드

selfreflexivity experiment-film narrative-cinema structural-film continuity of the time unity of the place reality-illusion structural characteristics