충무로 로드무비 장르 연구

• 영문명: A Study on the Chungmuro Road Movie Genre
• 발행기관: 한국영화학회
• 저자명: 주창규
• 간행물 정보: 『영화연구』제34호, 373~405쪽, 전체 33쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2007.12.31

영문 초록

This paper attempts to identify the aesthestic and historicity of Chungmuro road movie genre, which is consisted by two men and one woman's traveling narrative and image through the analysis of The Road to Sampo(1975, Lee Man-Hee), Declaration of Idiot(1983, Lee Jang-Ho), and Whale Hunting(1984, Bae Chang-Ho). For this project, firstly, this paper understands the abject sense and character of that genre as the abjection(Julia Kristeva) of Korean military dictatorship. So we can position the historicity of that genre as the abject of dictatorship, which is not subject nor object. Secondly, this paper analyses three text's narrative and image through 'family romance'(Sigmund Freud) and 'landscape'(Karatani Kojin). Consesquently, this paper suggests Chungmuro road movie genre's historicity as disillusion and revenge against dictatorship state, and transnational desire, that is differented from exploring new national identity of Hollywood road movie genre.

목차

1. 한국영화사의 무의식적 장르

2. 군사 독재의 비천한 스크린

3. 민족적 영화장르의 ‘가족 로망스’와 풍경의 정치학

4. 맺는 말

키워드

Chungmuro road movie genre The Road to Sampo Declaration of Idiot Whale Hunting family romance landscape