<5인의 해병>(1961)의 플래시백과 내면의 목소리

• 영문명: Flashbacks and Inner Voices in Five Marines (1961): Narrative Strategy and Style
• 발행기관: 한국영화학회
• 저자명: 장우진
• 간행물 정보: 『영화연구』제34호, 317~343쪽, 전체 27쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2007.12.31

영문 초록

This paper begins with a question which arose when I saw Five Marines; Why do the flashbacks and inner voices in that movie seem to be inconsistent? To solve this question, I set a rule forth as a premise. The rule is that a narrative text is made for the purpose of achieve its aim and the narrative elaborate a strategy for the aim. What is come from the practice into which the narrative put the strategy is style. Five Marines aims at two goals at the same time. One is dealing with Marine heroes, and the other is dealing with the true picture of the Marines with various persons. The narrative strategy is devised like these: The plot unfolds along this process; individuals with their own characteristic→integration into the group(the Marines)→depiction of Marine heroes: The characters are divided into two groups; one for identification, and the other is for distance. According to the narrative strategy, the style of flashbacks and inner voices in this movie is analyzed. The flashbacks and inner voices in this movie shows the characteristic of the individuals, so they appeared only before the integration into 'five marines': The subject of flashbacks and the type of inner voices become different in accordance with the character groups: The authority for flashback and inner voice is different according to the character's function and the extent of importance. In short, the style of flashbacks and inner voices doesn't seem to be coherent, but it is NOT incoherent. It is complicated instead and we can find elaborateness and delicacy in that complication. The next is the result of the analysis.

목차

1. 들어가는 말

2. 서사체의 목적, 내러티브 전략, 그리고 스타일

3. 〈5인의 해병〉의 플롯과 인물 유형

4. 플래시백

5. 내면의 목소리

6. 맺음말

키워드

flashback inner voice narrative strategy style plot character type