애니메이션은 어떻게 다큐멘터리가 되는가?

• 영문명: How Does Animation Become Documentary?
• 발행기관: 한국영화학회
• 저자명: 형대조
• 간행물 정보: 『영화연구』제58호, 483~513쪽, 전체 31쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2013.12.31

영문 초록

Animated documentary which lies on the border between fiction and non-fiction, and also between animation and documentary, is not a new genre developed recently. However after Waltz with Bashir, the discussion and interest on the animated documentary has spread. The reason is because this new combination is a kind of challenge to the discussion on traditional documentary. The concept of animated documentary stretches the subject of documentary to a non-visible domain. The recent arguments give attention to the possibility of documentary expression with animation image. This animation image is considered to overcome or dismantle photographic referentiality, in the process of acceptance of animation into documentary. This study premises that the truth in a documentary exists in the audience’s gaze when a documentary contains any truth intended by the producer, in spite of that any kind of distortion is unavoidable where the reality in documentary has to be selected and reconstructed. Nichols insists that it is a mode of documentary which changes, not the documentary’s ultimate characteristics by saying “What changes is the mode of representation, not the quality or ultimate status of the representation.”There is still an existing limit where the reconstruction has to be based on the ‘fact’to have its value as realistic evidence or records in the context of documentary although the idea of using animation technique during the reconstruction in a documentary is widely accepted. This study points out the limits of current discussions on the definition of animated documentary and brings up an argument on how animation becomes a documentary in different aspects. The study also reviews the current discussion in terms of the intention of a producer who chose the animation as a documentary tool and interpretation of the audience,whereas the current discussion is rather focused on text-animation itself at this time when animation was accepted as a new documentary tool.

목차

1. 서론

2. 애니메이션 vs. 애니메이티드 다큐멘터리 vs. 다큐멘터리

3. 애니메이션은 어떻게 다큐멘터리가 되는가?

4. <바시르와 왈츠를> vs. <페르세폴리스>

5. 나오는 글

키워드

Animation Fiction Documentary Animated Documentary Animation documentary Waltz with Bashir Persepolis