조선 사신들의 눈에 비친 明末 山東의 사회 풍속 일면 고찰

• 영문명: Shandong Social Custom in the Late Ming Dynasty in the Eyes of Joseon Envoys -Using Their Travel Notes and Chinese Poetry for Text
• 발행기관: 동방한문학회
• 저자명: 劉寶全(Liu, Bao-quan) 邵双 双 (Shao, Shuang-shuang)
• 간행물 정보: 『동방한문학』제61호, 275~310쪽, 전체 36쪽
• 주제분류: 인문학 > 문학
• 파일형태: PDF
• 발행일자: 2014.12.30

영문 초록

In the late Ming Dynasty, the Joseon Dynasty envoys made their pilgrimage to Beijing by sea and through Shandong, with their “travel notes” presenting a faithful account of clothing, headdress, makeup, and foot-binding at that time. In that record, the Ming Dynasty clothing was of extreme floridity and extravagance, as the changes in the length of clothing and popularity in the “left lapel” style breaking the Confucian ethical code. With the official clothing restrictions in the early Ming Dynasty losing its influence, there emerged an increasingly intensified phenomenon featuring the arrogation of the clothing custom and the advocation of the “Northern style”, beauty and luxury. The Joseon envoys made comparisons between these phenomena and their national clothing culture, leading to a change in the notion that the clothing system of the Ming Dynasty was on the brink of collapse. The economic production custom was characterized by diversity in Shandong in the late Ming Dynasty, featuring the commercial prosperity, money worship and rampant pursuit of commercial profits among scholars, celebrities and high-ranking officials. Markets, taverns, and brothels could be found everywhere in cities like Dengzhou, Jinan and Dezhou. The social climate took on a scenario of prosperity and virtuous custom, while the traditional ethics were under violent strike. Under a social climate of this kind, the traditional clothing etiquette was destroyed. Therefore, the change in the clothing custom and the development of commercial economy were inextricably fused.

목차

1. 서론

2. 조선 사신들이 기록한 복식 풍속

3. 조선 사신들이 기록한 경제생산의 풍속

4. 결론

참고문헌

키워드

Ming Dynasty Joseon envoys envoy s record Shandong clothing custom material folk culture