레오 까락스 영화의 사운드 영역 확장에 대한 연구

• 영문명: A Study on the Expansion of the Range of the Sound in Films of Leos Carax
• 발행기관: 한국영상제작기술학회
• 저자명: 이상인
• 간행물 정보: 『영상기술연구』제20호, 105~125쪽, 전체 21쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2014.06.30

국문 초록

Many people tend to think of sound as simply an accompaniment to the real basis of cinema, the moving images. But sound bristles with as many creative possibilities as editing. Many filmmakers have exploited the expansion of the range of the filmic sound through using creative ways. Leos Carax is the one of the key directors who has experiments filmic sounds in diverse ways. In his early three works, (1984), (1986), (1991), Carax uses with various interior monologues, off sounds, asynchronous sounds, silence to express unusual attitude to cinema and human being. It is very remarkable cinematic method which he used selection and combining of desired sound. Carax uses sounds that are recognizable to us but which come at carefully chosen moments. Through his control of what sounds we hear, what qualities these sounds have, and what relationships exist among those sounds and between sound and image, he has made this technique an important factor in controlling our attention throughout the films.

목차

Ⅰ. 머리말

Ⅱ. 사운드의 창의적 사용의 역사

Ⅲ. 퍼체론의 사운드 분류표

Ⅳ. 복화술, 소통보다는 내면의 독백

Ⅴ. 사운드의 완전한 통제-선택과 배제

Ⅵ. 사운드에 의한 시공간의 확장-오프 사운드와 비동시 사운드

Ⅶ. 음악적 리듬과 묵음의 힘

Ⅷ. 맺음말

참고 문헌

키워드

Sound Leos Carax Off Sound Monologue Asynchronous sound