토드 헤인즈의 영화 <캐롤>에 나타난 영화적 연출 전략 연구

• 영문명: A Study on Cinematic Strategies in Todd Haynes’ Film
• 발행기관: 한국영상제작기술학회
• 저자명: 이제희
• 간행물 정보: 『영상기술연구』제27호, 91~111쪽, 전체 21쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2017.12.31

국문 초록

In Carol, about a romance in early 1950s New York between a married mother, Carol and a female department store assistant, Therese, Todd Haynes has embraced stories that explore the complexity of sexual and identity politics in the social context of post-war America while obeying the natural rhythm of any love story. Haynes inspired by some classic films such as Brief Encounter and Citizen Kane, with its methods for binding the viewer to a character but also that structural doubling. And he use point of view, unique framing and blocking, and other formal elements in order to immerse the viewer him or herself into the lesbian love story. Carol and Therese are captured through the careful play of cinematic space, color, and composition in Haynes’own filmic and visual references. The viewer recognize in the Therese’s desiring gaze an awakening into subjectivity. Her subjectivity or point of view is focalized in this film’s main narrative. Visualization works with the art concepts and soundtrack to diffuse eroticism and anxiety throughout the film. In Carol, Haynes has directed a masterpiece of the new queer melodrama with his unique cinematic strategies.

목차

Ⅰ. 서론

Ⅱ. 본론

Ⅲ. 결론

참고 문헌

키워드

Carol Cinematic Strategies Melodrama Point of View Todd Haynes