색감의 대비를 활용한 심정성 표현 기법 연구－영화 <문라이트>의 미장센 분석을 중심으로－

• 영문명: The Study on the Befindlichkeit used by Color Contrast－Focusing on ’ mise-en-scene analysis－
• 발행기관: 한국영상제작기술학회
• 저자명: 유수연
• 간행물 정보: 『영상기술연구』제27호, 39~60쪽, 전체 22쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2017.12.31

국문 초록

The most important thing of making film is a choice of a character`s costume. movie costume is characterized by a color that is owned symbolic meaning. The relationship of character and the other character is also considered by their movie costumes. Color scheme is consisted of complementary color and similarity color. The character’s space and character’s inner mind are very closed each other at a same time. So, all filmmakers have to consider that kind of schemeand combining color. Complementary color is very useful to as a combining yellow and blue. is based on the play by Tarell Alvin Mc Craney. The main character of the is not a chiron but a repressive prejudices of society around us. Chiron is wounded inner – child of our deep mind. In , chiron is in the mood called Befindlichkeit by Heidegger.

목차

Ⅰ. 서론

Ⅱ. 본론

Ⅲ. 결론

참고 문헌

키워드

Moonlight color Complementary color repressive Befindlichkeit