A Multidimensional Interdisciplinary Analysis of Ache Lhamo's Ritual Characteristics and Cultural Values

• 영문명: 跨学科视阈下阿吉拉姆仪式性与文化价值的多维分析
• 발행기관: Korea Institute for Humanities and Social Sciences(KIHSS)
• 저자명: YAN Ruowen
• 간행물 정보: 『Journal of Global Arts Studies (JGAS)』Vol.3, No.2, 155~164쪽, 전체 10쪽
• 주제분류: 인문학 > 기타인문학
• 파일형태: PDF
• 발행일자: 2025.06.30

국문 초록

[Background] As a traditional Tibetan performing art, Ache Lhamo integrates religious rituals and theatrical art, carrying profound cultural and religious values. In the process of modernization, its protection is faced with the contradiction between static preservation and dynamic development. [Objective] From an interdisciplinary perspective, combining Victor Turner's ritual drama theory, Richard Schechner's restored behavior theory, and Laurajane Smith's cultural heritage theory, this paper analyzes the ritual characteristics, artistic inheritance, and cultural values of Ache Lhamo, so as to provide theoretical support and practical guidance for the sustainable development of traditional performing arts and the dynamic protection of intangible cultural heritage. [Method] Using interdisciplinary research methods, combined with ritual drama theory, restored behavior theory, and cultural heritage theory, this paper makes a multi-dimensional analysis of the ritual nature, artistic inheritance, and cultural value of Ache Lhamo. [Results] Ache Lhamo transmits religious and social meanings through the combination of ritual and drama. Its core performing elements maintain the vitality of traditional culture and meet contemporary needs through restored behaviors in the context of modernization. As a cultural heritage, it is dynamic and needs to maintain its cultural function as a “living organism” through recreation. [Conclusion] The dynamic transformation of Ache Lhamo is the key to its sustainable development, which provides theoretical and practical references for the protection and innovation of intangible cultural heritage.

영문 초록

【背景】阿吉拉姆作为藏族传统表演艺术，融合宗教仪式与戏剧艺术，承载深厚文化与宗教价值。在现代化进程中，其保护面临静态保存与动态发展的矛盾。 【目的】从跨学科视角，结合维克多・特纳的仪式戏剧理论、理查・谢克纳的复原行为理论与劳拉简・史密斯的文化遗产理论，分析阿吉拉姆的仪式性特征、艺术性传承和文化价值，为传统表演艺术的可持续发展与非物质文化遗产的动态保护提供理论支持与实践指导。 【方法】运用跨学科研究方法，结合仪式戏剧理论、复原行为理论和文化遗产理论，对阿吉拉姆的仪式性、艺术性传承和文化价值进行多维分析。 【结果】阿吉拉姆通过仪式性与戏剧性结合传递宗教与社会意义，其核心表演元素在现代化背景下通过复原行为保持传统文化活力并适应当代需求，作为文化遗产具有动态性，需通过再创造保持“活的有机体” 的文化功能。 【结论】阿吉拉姆的动态转型是其可持续发展的关键，为非物质文化遗产的保护与创新提供了理论与实践参考。

목차

1 引言

2 理论背景

3 阿吉拉姆的仪式性、艺术性与遗产价值分析

4 阿吉拉姆的动态转型思路

5 结论

参考文献

키워드

Ache Lhamo Ritual Drama Intangible Cultural Heritage Dynamic Protection 阿吉拉姆；仪式戏剧；非物质文化遗产；动态保护

참고문헌

• University Pennsylvania Press
• Routledge
• PAJ Publications
• Cornell University Press
• 艺术百家
• 西藏艺术研究
• 西北民族大学学报(哲学社会科学版)