The Process of Finding Identity in the Works of Kazakh Second-generation Koryoin Artists Lim Boris and Moon Viktor

• 발행기관: 건국대학교 모빌리티인문학 연구원, 건국대학교 아시아·디아스포라 연구소
• 저자명: Sophy seon ha Jeon
• 간행물 정보: 『International Journal of Diaspora&Cultural Criticism』Vol.15 No.1, 112~145쪽, 전체 34쪽
• 주제분류: 인문학 > 기타인문학
• 파일형태: PDF
• 발행일자: 2025.02.28

국문 초록

This paper examines the process of embodying self-identity within a hybrid culture through the works of painter Lim Boris (1949~), who returned to Kazakhstan from Uzbekistan in the late 1990s, and painter Moon Viktor (1951~), who currently lives and works in Korea. Both artists were born in Kazakhstan and began their careers as painters during the post-Soviet era. They each longed for the East in their ways, but their works differed depending on the social environment. Lim Boris studied Eastern philosophy and painted to capture the spirit embedded in the subject while attempting to restore the original form of national values through Tengrism, traditionally worshiped by the Kazakh ethnicities. Meanwhile, Moon Viktor recalled his experience at the Korea Theater during the Soviet era and turned his work to variations on the theme of Koreans, choosing to return to his historical homeland of Korea. In this way, the significance of this paper lies in examining the identity and diverse aesthetic consciousness of Koryoin artists by reviewing the position of Koryoin artists within Kazakhstan’s hybrid society and the relationship between their environment and the theme of their works.

목차

1. 들어가는 말

2. 림 보리스의 동양적 미의식과 카자흐 민족문화와의 융화

3. 문 빅토르의 오브제 상징화와 카자흐인의 일상

4. 나가는 말

참고문헌

키워드

Culture hybridity Korea Theater Moon Victor Lim Boris Koryoin art Tengrism