自媒体时代下微电影创作与实践——以微电影《老男孩》为例

• 영문명: Creation and practice of micro films in the era of we-media : Take the micro film Old Boy as an example
• 발행기관: HONG KONG ACADEMY OF SOCIAL SCIENCES
• 저자명: 俞沁东(Qindong Yu) 王子萱(Zixuan Wang)
• 간행물 정보: 『亚洲学术论坛』Vol.1 No.2, 37~42쪽, 전체 6쪽
• 주제분류: 사회과학 > 사회과학일반
• 파일형태: PDF
• 발행일자: 2024.09.30

국문 초록

This paper discusses the creation and practice of micro film in all aspects of the media era, including its characteristics, challenges, development trend and theoretical support. The innovation potential, creation strategy and practice path of micro films on the we-media platform are comprehensively revealed through the research, theoretical analysis and case sharing of the creation background and content of micro films in the era of we-media. With the rapid development of we-media technology, micro films, as a new form of film and television art, are gradually becoming an important carrier of mass culture communication. Taking the micro film “Old Boy” as an example and combining with the creation of micro film, this paper makes a thorough case analysis, aiming to provide valuable reference and inspiration for micro film creators to promote the sustained prosperity of micro film in the era of we-media.

영문 초록

微电影创作与实践深入探讨了微电影在传媒时代的各个方面，既有它的特点和挑战，也有它的发展趋势和理论支持。微电影在自媒体平台上的创新潜力、创作策略和实践路径，通过对自媒体时代的微电影创作背景和内容的研究、理论分析和案例分享进行全方位地揭示。随着自媒体技术的日新月异，作为影视艺术的一种新兴形式，微电影正逐渐成为大众文化传播的一个重要载体。本文以微电影《老男孩》为例，结合微电影创作进行深入透彻的案例剖析，旨在为微电影创作者在自媒体时代推动微电影持续繁荣提供有价值的参考和启示。

목차

引言

1 自媒体时代下微电影发展现状

2 自媒体时代下微电影创作与实践的理论基础

3 案例分析：《老男孩》

4 微电影创作与实践策略

5 结论与展望

参考文献

키워드

Micro film We media New media communication 微电影 自媒体 新媒体传播