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학술논문

韓國 傳統紙花에 관한 硏究 (14)

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영문명
A Study on Korean Traditional Paper Flowers (14) - Focusing on techniques of Kim Tae-suk, a Sooleukjae of the Buddism -.
발행기관
한국조형디자인학회
저자명
김태연(Kim, Tae-yeon)
간행물 정보
『조형디자인연구』한국공예논총 제11집 4권, 1~30쪽, 전체 30쪽
주제분류
예술체육 > 미술
파일형태
PDF
발행일자
2008.12.30
6,400

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논문 표지

국문 초록

영문 초록

After being born, all humans shall face death and they wonder about death. Moreover, they doubt and afraid of the world after death. Therefore, they have generated faith and religion in order to reply on and believe in something. Traditionally, we have called it pray, pray blessing, Bison(rubbing hands prayerfully), worship, rite offered before a statue of Buddha, memorial service and exorcism. If we call it ceremony in general, the order of practice concerned to who, when, where, what and how can be the basic principle of all religious ceremonies. Moreover, in all religious phenomenons, ceremony is embodied as a song or dance and the ceremony space is embodied as a molding and color. It means the Jangeom shown in Buddhist ceremony and it can be the historical origin of appearance of chrysanthemum. The person, who was dead from the accident in land, water or air, or the person, who was unnaturally dead through suicide, is called a lonely spirit. Surukjae is the Buddhist ceremony to invite spirit of the person, confute dharma and serve delicious food. The Surukjae has a direct relationship with a formative background of Gamrowangdo(painting). Gamrowangdo is a Buddhist picture for ceremony that leads a spirit of dead person. In the picture, Buddhist world view is synthetically collected. In the bottom of picture, the six worlds attracting people's attentions are displayed. It shows various images from Cheoningwonsok to lonely spirit and minute life form that face unexpected death in various karmas. The lonely spirit on the bottom escapes from the pain of karma and gets the mercy of Buddha on the top by receiving the ceremony of Buddhist priests and tasting consecrated food. At this time, Inrowangbosal plays the role of mediator that leads all sentient beings of six worlds to pure west land of Buddha. Like that, Gamrowangdo shows dramatic composition of organic relation between the top, middle and bottom in one picture. Among the flowers shown in Gamrowangdo, the author grasped the features of flowers through the method to select and analyze 10 pictures including Gamrowangdo of Ssanggyesa(temple). Therefore, Jangeom is the shape of effort symbolizing the behavior of Buddha. In Buddhism, special religious meaning is granted according to the word, 「belief is riginated from Jangeom」. As shown in the flower picture expressed in Gamrowangdo, paper flower becomes the important factor of Jangeop and in Buddhist seminary, it is expressed that truth of Buddha is scattered and embroidered like flowers. Kim Tae-suk used thin flower paper or that painted by watercolor. Its characteristic is clean and fine. Because the leaf is dyed with weak pigment, its color is relatively clean and fine. The kind of paper flower is peony, mum, Ddri flower, lotus and dicentra. The desire of researcher is to find, preserve and inherit traditional Jangeop technique for Buddhist ceremony. The researcher performed the study with a sense of duty to have self-esteem as a traditional craftsman, establish the place for lifelong education to teach the technique and deliver Korean Buddhism culture through museum and exhibition hall. Moreover, the researcher wants to inspire the importance of cultural value of unique Korean Buddhism.

목차

I. 서 론
Ⅱ. 수륙재의 역사와 공덕
Ⅲ. 김태숙의 지화기법
Ⅳ. 결 론
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APA

김태연(Kim, Tae-yeon). (2008).韓國 傳統紙花에 관한 硏究 (14). 조형디자인연구, 11 (4), 1-30

MLA

김태연(Kim, Tae-yeon). "韓國 傳統紙花에 관한 硏究 (14)." 조형디자인연구, 11.4(2008): 1-30

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