1930년대 시문학의 장(場)과 여성시의 한 방향

• 영문명: The field of poetry in the 1930s and a direction in female writers’ poems : Focusing on Yoonsook Mo's (1933) early work, A Shiny Zone
• 발행기관: 한국언어문학회
• 저자명: 김진희(Kim Jinhee)
• 간행물 정보: 『한국언어문학』韓國言語文學 第68輯, 229~252쪽, 전체 24쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2009.03.30

영문 초록

The 1930s, in the history of the Korean poetry, is when the modern poetics was established, via modernization of poetic techniques and broadening and deepening of thematic awareness. Yoonsook Mo, a female poet, started her career in this field of literary world. The status for female poets was hardly secured in the early 1930s. The appearance of Yoonsook Mo, with high praise of ‘the one and only female poet Joseon has,‘ was a remarkable event in the poetical circles of the 1930s. However, the criticism on Mo has mainly concerned her pro-Japanese creations and activities in the late 1930s, until recently. This paper investigates what import and implication Mo‘s works carry in the field of the contemporary literature. It looks away from the perspective of viewing her works in the early 1930s as preparation for pro-Japanese verses in the later years. It is an attempt not only to render proper evaluation to Mo‘s works which were composed prior to pro-Japanese activism, but to have a general understanding of her word of literature, as well. The mainstream criticism on the works in that period was principally regarding Mo‘s works from a viewpoint of genderization of sentiments. The interests of the major literary critics in Yoonsook Mo per se were considerable, but they generally ended up in criticizing sentimentalism, which eventually drove female poets out of the center of the literary circles. Despite the fact that the literary world was concentrating on sentimentalism and neglecting female writers who sang of nation and country, Mo created works of nation and country due to the combined influence by the familial environment with her father being an activist for national independence, the reinforced nationalism in association with the religious education in school, and her temperament, habitus, which was bound to have interests and participate in the reality. Considering that the subject of nation and country was mainly for male writers, these works of this female poet is deemed notable. The implication Mo‘s works are presenting in the history of literature is noticeable in that she made the first social connection through poems by recognizing ‘nim‘ (dear) as a nation in the social dimension, not in the individual dimension.

목차

1. 1930년대 시문학사와 여성시인의 위상

2. 시단(詩壇)의 주요 경향과 감상성의 젠더화

3. 민족구원의 의지와 ‘님’의 시학

4. 식민지 여성시인으로서의 정체성

참고문헌

Abstract

키워드

모윤숙 감상주의 감상성 여성 시인 국가 민족 민족주의 ‘님’의 시학 식민지 작가 정체성 Yoonsook Mo sentimentalism female poet gender country nation nationalism poetics of ‘nim ‘ colony writer-identity