미술의상과 메이크업의 표현경향에 관한 연구

• 영문명: Study on the tendency of expression for art wear coordinated with make-up
• 발행기관: 한국인체미용예술학회
• 저자명: 이미령(Lee Mee Ryung)
• 간행물 정보: 『한국인체미용예술학회지』한국인체예술학회지 제1권 제2호, 139~166쪽, 전체 28쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2000.08.01

영문 초록

  In art-to-wear, costumes itself is not the purpose but the means to express art. "Shaped canvas" or "soft sculpture" is often reffered to define the concept of art-to-wear. The theme of it is the human body and there is almost no limit in material and techniques of it. It is the art for body, costume as body, that is to say, it is a three dimentional work characterized by the image of human body. Make-up, hair design and body paintings as well as other three dimentional works applied to the human body can make far better effect when coworked with art-to-wear.
  Art-to-wear in 1990 is not a fine art in view of its material, rather it has led a leading role to express the demand and social problems of the times.
  Expansion of techniques and materials has made artists renew and gain free techniques, and also revised recognition toward art-to-wear has offered changes of new ideas about material to develop, and shows the direction to go for the flow of modem fashion. Costumes these days presented through various fashion-shows introduce many art fashion works with rather relative weight on art-to-wear, therefore to convey much effectively the concept and the image of the designers, the fashion designers try to coordinate hair-design, total make-up and body-paintings with art-to-wear.
  However, co-operation between artists on fiber-art attending to art-to-wear and make-up artists is not so well carried out. This is because followers of make-up field and art-to-wear do their jobs separately without co-operation to harmony. But the thing to put emphasis on is that make-up followers should accompany costumes with their make-up work and also art-to-wear followers who perform their art works based on the human body should pursue their works in the harmony of make-up, hair-design and body-paintings and in consequences they can express their works with higher satisfaction.
  To set make-up and hair-design off to advantage, they should be backed up by the costumes in the confirmity of characteristics. Other way round, art-to-wear can have ascending effect(in both sides of art-to-wear and make-up / hair-design) if they are well designed in accordance with the same theme in conveying and expressing the artists intended theme.
  But currently, artists and beauty art followers are not closely linked with in their jobs. They are only doing their jobs independently to our sorry.
  They carry on the parts in which they are not specialized without any help from the specialists.
  In working out fashion-shows(ordinary and precedent types of fashion-shows), famous fashion designers often present the shows with the help of make-up designers and hair-designers, while art wear artists usually are not in the condition of above-mentioned coordination. This is partly because they are not properly linked with the field of beauty arts as well as the artists in art-to wear are not fully aware of the importance of beauty art.
  In haute couture fashion shows recently presented in Paris, the designers who introduce art-to-wear costumes make good use of colors and forms in make-up irrespective of ordinary make-up to make good expression of their intention together with the same particularity in hair-design.
  These tendencies seem to prevail with vitality throughout the world and fashion shows are in the stream of separate presentation, that is art-to-wear fashions and practical fashions.
  Especially in fashion shows of art-to-wear, co-existence of costumes and make-up is more necessary than ever before. Thus, exhibitions of art-to-wear and various contests or seasonal campaign of beauty art can enjoy prosperity and advantage in both parts with such co-working and it will appreciate the value of each part.

목차

ABSTRACT
Ⅰ. 서론
Ⅱ. 이론적 배경
Ⅲ. 본론
Ⅳ. 결론
참고문헌