유희로서의 영화

• 영문명: Film as a play: Tange Sazen and the Pot Worth a Million Ryo, 1935
• 발행기관: 한국영화학회
• 저자명: 정수완
• 간행물 정보: 『영화연구』제25호, 177~193쪽, 전체 17쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2005.04.30

영문 초록

In this paper, I study the function of the film as a play in Japan of 1930s concentrating on the Tange Sazen and the Pot Worth a Million Ryo of Yamanaka Sadao. The Japan in 1930s was in the peak of the modernization. In modern society, Japanese audiences were willing to experience a new rhythm of the life- technological rhythm through the film. I analyze Tange Sazen and the Pot Worth a Million Ryo in narrative and style to show that the film functions as a play making a new rhythm. The plot revolves around the search for a pot that contains a map to a buried treasure worth a Million ryo. But the real purpose of this film is not to look for the pot. All the characters are just enjoying the game of the looking for the pot. Even they do not care if the pot is really worth of a Million ryo or not. In narrative, the film just show the way to enjoy the story as a paly. Using the wipe, Yamanaka Sadao makes the film a play, too. Right after the wipe, the scene begins to tell the opposite story of the scene before. It is against the expectation of the audiences but it makes them to laugh. Considering that Yamanaka Sadao was free to make the films not in the major company but in his own independent small production “Narudakigumi” through the cooperation with his friends, he can also enjoy making the film itself as a play.

목차

1. 들어가며

2. 야마나카 사다오의 운율적 영화

3.『단게사젠여화. 백 만량의 항아리』에 나타난 유희성

4. 나가며

키워드

play/game rhythm shosimin(petit bourgeois)