김기덕 감독의 영화 <파란대문>에 나타나는 미학적 특징과 관객의 새로운 역할

• 영문명: Aesthetic of Kim Ki-Duk's Film and new roleof the viewer
• 발행기관: 한국영화학회
• 저자명: 김금동
• 간행물 정보: 『영화연구』제25호, 7~36쪽, 전체 30쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2005.04.30

영문 초록

The purpose of this study is to analyze the film-structure, new role of the viewer and the aesthetic of Kim Ki-duk's Film . His Film has the following structure-characteristic: 1. The film omits to clearly represent the characters' view of the world. 2. The film describes events realistically and objectively without showing the cause and effect of the events. The structure of the film encourages viewers to fully immerse themselves into the character's view of the world and the cause/effect of the events Based on the structure, this film illustrates how ordinary people misunderstand basic human desires as being immoral instincts and injure the sociallayer at the bottom emotionally. The film is still able to represent the changes of the character's view of the world that all humans are equal and apart of an equivalent world. The motif of the film is brilliantly emphasized through the use of uncommon and diversified symbols.

목차

1. 들어가는 말

2. 인물에 대한 서술 생략

3. 사실적이고 객관적인 사건 서술

4. 영화의 관객과의 관계

5. 상징성

6. 맺음말

키워드

Aesthetic Structure New role of the viewer