일제말기 국책영화의 스타일에 대한 일 연구

• 영문명: A Study on the style of Propaganda Film during the Japanese Colonial Period
• 발행기관: 한국영화학회
• 저자명: 문재철
• 간행물 정보: 『영화연구』제30호, 81~100쪽, 전체 20쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2006.12.31

영문 초록

The purpose of this paper is to examine the style of propaganda Film made by Chosun Film Making Company, ‘Chosunyoungwhazooshikwheosa (朝鮮映畵株式會社)’ during the Japanese colonial period. Japanese Government controlled film production and distribution to agitate Chosun people. But these propaganda film were different from general propaganda films. These films show special characteristic style and feature, for example, they were based on genre form and focused on private relation. Above all emotion and affection is dominant element in these film. This emotion is full of female mood and lyricism, and various device and image were used to express this emotion. Especially local spectacle was prominent. directed by Paik Ki Chae is a typical film. This film is melodrama that focus on lonely emotion of a woman. As a result this film looks like a simple melodrama. Somebody may argue that these distinguishing marks are evidence of non-ideological. But we identify ideological practise in this feeling structure.

목차

1. 시작하며

2. 국책영화의 몇 가지 특이성과 그 의미

3. 신체와 풍경을 이용한 감정의 표현

4. 희생과 달콤한 비애감, 그리고 국책영화

5. 마치면서

키워드

Propaganda Film Japanese Colonial Period Korean Film History Paik Ki Chae Chosunhaehyeop Melodrama Chosun Film Making Company