Dziga Vertov 감독의 스타일 분석

• 영문명: The Analysis of Style on Director Dziga Vertov
• 발행기관: 한국영화학회
• 저자명: 민병록
• 간행물 정보: 『영화연구』제60호, 89~117쪽, 전체 29쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2014.06.30

영문 초록

Vertov referring to function of movie which is as a tool of educationand propaganda. He thought we should create a movies to teach morethan struggle and revolution to workers and peasants. a new societyrequires new form of expression in which composed of a large number ofilliteracy of the workers and peasants. He established Kino-Eye Groupand announced in 1919. This means that the camera becomes human’s eyes to record everythings, emphasizing witness sprit without adaptation or anything wouldnot be produced. Life is moved freely in front of camera. The only thingfilm director needs to care about is what the director to spend, and howthe selection process takes, while editing another short one shot that Isrelated to the one put. Vertov thought that we should analyze it ratherthan to record the real world simply, so He stressed the importance ofediting. The first compilation was investigated, Vertov wanted to make a filmabout Lenin. However, he had a difficult to search for the data. As hesaying that he prepared it for nine years. Especially, after the wifeSvilova obtained the film material in many places, was completed, the film is largely composed of four sequences. The first sequences depict Lenin’s house and bench in Gorky, the secondis flowering women in Islam, and the third is death of Lenin, the processof funeral. lastly, It showed 10 years of post appearance. The last sequence that alter the death of Lenin justified developed in Russiathrough interview with, workers, a leader and a male farmer. Until thecompletion oi film, if there were no film material and current situation inthe documentary complication, it would not have been competed. On second, we investigated Kino-Eye’s thought and visual style. In. It has explained that is a movie with subtitles in thebeginning of the film which is the first nonfiction film, no scraps. noprofessional actors, and depicts outdoor shooting. Also. It depicts purposeand objective whit a specific subtitle of the film in . This is a kind of experimental film that wants to communicatewith the audience only with image. No subtitle, no scenario, no actor, notthe seat able to communicate with people around the world to produce alanguage or langue is intended. The film begins with the subtitle of thetreatment kino eyes claim was forwarded directly to the audience byeliminating speech and part panto completely. The third experiment examined the simultaneous recording. Vertovcreated experiment partially, before He experimentedsimultaneous recording by recording sound of street car the klaxon horn. Simultaneous recording testing compilation of the fordocumentary film. These Vertov’s experiment inspired Sergei Eisensteinand affected the production in 1961(cinema verite) also, which was used in production style in affected a lot ondirect cinema.

목차

1. 들어가는 말

2. 생애와 작품세계

3. 스타일

4. 나가는 말

키워드

Kino-Eye compilation Lenin. nonfiction film no scraps. no professional actors simultaneous recording