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학술논문

장률 감독과 트랜스-로컬 시네마

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영문명
Director Lu Zhang and Trans-Local Cinema
발행기관
한국영화학회
저자명
김시무
간행물 정보
『영화연구』제60호, 57~88쪽, 전체 32쪽
주제분류
예술체육 > 예술일반
파일형태
PDF
발행일자
2014.06.30
6,640

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국문 초록

영문 초록

The purpose of this paper is to supervise the works of art of directorLu Zhang(1962) through the concept of ‘the homelossness(Heimatlosigkeit)’. So far, all studies on director Lu Zhang was focused on the concept ofDiaspora. In fact, according to scholars, the concepts of the Diaspora areclosely related to the concepts of ‘loss of nationality’, or ‘home loss’,because you can not think both positions appear separately. It sounds likethe concepts of loss of nationality and of home loss tends to be regardedas the same. This researcher carried out the study from the premise that a nationalloss and home loss are overlap, but both technically are different concepts. Lost their nationality is not lost even a home. Nationality is safe andkept it as it is not home. We have usually understood Immigration incategories of trans-national, because we think about Immigration as movingacross the country. However, recent research has preferred the concept oftrans-local. They began to think about the Immigration as the creation ofa new neighborhood in other areas. In this context, this researcher want to argue that Diaspora should notbe understand in the point of view of trans-national, but of trans-local. This researcher think that a series of works of director Lu Zhang meetssuch examples. In Grain in Ear, the heroine Soon-hi, who originallybelong to community of Koreans, had fled around the area of the non-residentKoreans to avoid the glare of the wind because of her husband’ crime. In The Border, refugees Soon-hi and her son Chang-ho attempt to builda new neighborhood in Mongolia Prairie where a few people lived. In Iri,the heroine Jinseo is wandering like a ghost in strange place after herhome Iri City has disappeared without a trace by explosion, turned intothe name of Iksan City. In Chongqing, the heroine Xu who escaping herhometown Chongqing which is going to devastate due to urbanization,tries to build a new neighborhood in a new city of Iksan in Korea. InThe Dooman River, Chang-ho, China’s ethnic Korean nationality, had todefend the faith by death, as soon as the refugee friend Jungjin wasarrested by the Chinese police. In this paper, this researcher tried to show that through the work ofthese keywords are home loss characteristics, and there are common inthat some form of hero are in an attempt to build a new neighborhood inother countries. To overcome the loss of home in a new neighborhood isnone other than the creation of a trans-local.

목차

1. 들어가는 말
2. 장률 감독의 작품세계
3. 나오는 말

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APA

김시무. (2014).장률 감독과 트랜스-로컬 시네마. 영화연구, (), 57-88

MLA

김시무. "장률 감독과 트랜스-로컬 시네마." 영화연구, (2014): 57-88

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