‘테마파크관광’의 생산과 소비

• 영문명: Theme Parks in Production and Consumption of Tourism - The Case Study on HUIS TEN BOSH in Nagasaki Prefecture, Japan -
• 발행기관: 대한관광경영학회
• 저자명: 황달기
• 간행물 정보: 『관광연구』제15권 제1호, 115~132쪽, 전체 18쪽
• 주제분류: 사회과학 > 관광학
• 파일형태: PDF
• 발행일자: 2000.08.30

영문 초록

According to the Japanese Tourist Association, 56 theme parks are operating nationwide as of April 2000. They enjoy enormous popularity as a central tourist attraction. This phenomenon is closely related to the circumstances of the times when the world is changing from growth-driven capitalism based on manufacturing to post-capitalism. In this regard the theme park could be an appropriate medium for identifying the cultural dynamics of post industrial society and conducting microscopic study of the production and consumption of tourism. Based on awareness, this paper has analyzed one of the most successful theme parks in Japan, to illustrate the phenomenon of Widespread production and distribution of theme parks as popular tourism goods. First of all this paper avoided hypothetical verification or generalization, and instead substantially approached the whole process of on-the-spot tourism development. Secondly, this paper examined cultural background on which theme parks are made in Japan and attempted to characterize an aspect of present Japanese tourism culture reflected by theme parks. The following is the abstract of the result. First, the theme park is a setting on which culture is produced and consumed in the context of tourism. Second, HUIS TEN BOSH represents the most evolved stage of the theme park in its history of civilization. Third, it charts a new course of tourism development. Finally it is playing a key role in creating a new lifestyle, particularly a new pattern of tourism, i. e. theme park tourism.

목차

ABSTRACT

Ⅰ. 서론

Ⅱ. 테마파크의 관광문화사적 의미

Ⅲ. 하수스텐보스의 관광생산

Ⅳ. 하우스텐보스의 관광소비

Ⅴ. 결론

참고문헌

키워드

테마파크 하우스텐보스 생산 소비