중국의 비판적 · 개입적 문화연구

• 영문명: The Critical·Interventional Cultural Studies of China: A Research on the Shanghai Cultural Studies Group
• 발행기관: 한국문화연구학회
• 저자명: 임춘성(YIM, Choonsung)
• 간행물 정보: 『문화연구』제2-1호, 3~38쪽, 전체 36쪽
• 주제분류: 인문학 > 문학
• 파일형태: PDF
• 발행일자: 2013.05.25

국문 초록

이 글은 2001년 11월 창설된 상하이대학교 ‘중국당대문화연구센터(Centre for Contemporary Cultural Studies, CCCS, 이하 ‘센터’)’와 설립자 왕샤오밍 (王曉明) 및 ‘상하이 문화연구 그룹’에 초점을 맞춰 중국의 문화연구 상황을 고찰하려는 목적을 가지고 있다. 우선 중국의 문화연구 상황을 개괄한 후 제도와 교육에 초점을 맞춰 ‘센터’와 ‘문화연구계’의 변천과정을 고찰하고 ‘센터’의 연구 작업을 ‘비판적 분석’과 ‘촉진적 개입’의 절합으로 총괄해 단계별로 살펴보며, 각 주제별 연구 성과들을 고찰할 것이다. 나아가 이들의 연구 및 교학 활동을 ‘학파(school)’로서의 가능성에 초점을 맞춰 전망해 본다.

영문 초록

This study aims to analyze the current status of cultural research in China with a focus on Center for Contemporary Cultural Studies(CCCS) of Shanghai University established November, 2001, as well as its founder WANG Xiaoming and the Shanghai Cultural Studies Group. After introducing how cultural studies has been conducted in China, the transition process of CCCS and the cultural studies group will be reviewed highlighting the system and the training. The research conducted by CCCS is summarized as an articulation of critical analysis and accelerating intervention and it will be observed in stages, while the fruits of research is examined in different subjects. Furthermore, the prospect of such studies and academic activities as ‘school’ shall be contemplated upon. The Shanghai Cultural Studies Group lead by WANG Xiaoming conducts group studies by establishing an encampment. The articulation of critical analysis and accelerating intervention is the group’s most profound characteristic. It also creatively inherits the revolutionary tradition of China to integrate it with the critically accommodated cultural studies. The group is future-oriented as it combines its studies and the academics in between systematization and utilization of the system. Culture defined by the Group is in fact expansive and diverse, its coverage starting from the local Shanghainese culture to the new dominant culture of the contemporary world as well as the socialist culture. The contemporary production mechanism of the new dominant culture and disclosing its operation methods in particular are the central theme of this group. For this purpose, it conducts studies on media including television and the internet, real estate market and advertisements, the new village for laborers during socialist period, factory culture, residential culture of the young generation, web literature, the new urban spaces, etc. The theme of research focuses on Shanghai but in fact it covers the issue of urban-rural conflict and socialist culture too. The insight and intellectuality is utterly global. The group utilizes critical field study method and the contents overlap with participant observation and ethnography methodology of anthropology. Naturally the group’s fundamental concern is ‘To which direction China shall proceed’.

목차

1. 중국의 문화연구

2. 제도와 교육의 길항

3. 비판적 분석과 촉진적 개입의 절합

4. 상하이 특색의 문화연구

5.‘상하이 학파’의 가능성

참고문헌

키워드

중국당대문화연구센터 왕샤오밍 상하이 문화연구 그룹 상하이 학파 중국의 혁명적 전통 비판적 분석과 촉진적 개입의 절합 지배 이데올로기의 생산 메커니즘 Centre for Contemporary Cultural Studies(CCCS) WANG Xiaoming Shanghai cultural studies group articulation of critical analysis and accelerating intervention Shanghai school revolutionary tradition of China production mechanism of ruling ideology